Representasi Stereotip Perempuan dalam Musik Dangdut: Hegemoni Kuasa dan Strategi untuk Bertahan

Reni Ferlitasari
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引用次数: 0

Abstract

This research aims to explain the empowerment and capacity of an actor in dangdut music industry. Specifically, it tries to explain the knowledge, involvement, capacity and empowerment of a female singer acting in carrying songs containing what is considered vulgar values or not. Using the social praxeology concept by Bourdieu, this research argues that female singers are dominating actors in terms of dangdut music industry’s growth, though their own positions are not always special, and often enough, at its rock bottom. The stereotype role of a women’s sex and objectification both on the paper or visually can impacts her in social culture system, the self-sexualization of a women actor creates an instruct representation in public. This study uses a qualitative method with data collecting that consists of interviews with 5 female singer actors within dangdut orchestran music industry Alta Musik Pugung
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本研究旨在解释当红音乐产业中演员的赋权与能力。具体来说,它试图解释一个女歌手的知识,参与,能力和授权在承载的歌曲包含什么被认为是庸俗的价值观或不。利用布迪厄的社会行为学概念,本研究认为女歌手在嘻哈音乐产业的发展中占据主导地位,尽管她们自己的地位并不总是特别的,而且经常处于最底层。女性在纸上或视觉上的性别刻板印象和物化都会对其在社会文化体系中的地位产生影响,女性演员的自我性别化也会在公众面前形成一种指导性的表现。本研究采用资料收集的定性方法,访谈了5位来自日本管弦乐产业Alta Musik pugong的女歌手
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审稿时长
4 weeks
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