Gandang Tambua Pariaman From Triplek Material an Organological Study Based on Coding

Wimbrayardi Wimbrayardi, Bambang Parmadi, Irdhan Epria Darma Putra, Wembrayarli Wembrayarli
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Abstract

The process of making the Gandang Tamba traditional musical instrument in Padang Pariaman Regency. This study aims to describe the process of making the Gandang Tamba musical instrument. The approach used is a qualitative approach with a descriptive research type. This research was conducted with data collection techniques using observation, interview, and documentation techniques. Data analysis techniques are carried out by reducing, presenting data and verifying data. The aim is to find out the structure, process, manufacturing techniques, and playing techniques, of Gandang Tamba. This musical instrument is made of plywood and has a hole (resonator), and uses goat skin. The results of this study indicate that the parts and stages of the process of making traditional Gandang Tambua musical instruments include: cutting plywood for the body of Gandang Tambua, processing goat skin (membrane), cleaning rattan, making iron battens, and how to produce sound, tuning system on traditional Gandang musical instruments Tambua. The tools used in the process of making traditional Gandang Tambua musical instruments include: Cater knives (plywood cutters), Cutting Saws, Hammers (Penokok), Measuring tools (meters), Pencils, Sandpaper, Screwdriver, Scissors, Bamboo type gutters, and Tongs. The ingredients are; Wooden battens (circle 40), plywood, goat skin, iron lath, rope, nails, and wood glue. The process of making the Gandang Tambua musical instrument includes several stages, namely: 1) The process of making the body (plywood), to the finishing of fine and coarse sanding, 2) The processing of the skin, including the shearing of the skin using dry fuel ash and measuring the width of the diameter, 3) The installation process, includes the skin to the body of the Tambua drum, attaching iron battens and attaching strings as for tuning. The frequency and tension of each instrument membrane on the Gandang Tambua musical instrument, the membrane tension of 141090.66 N on the Gandang Tambua musical instrument produces good tension (tuning), because the vibrations of the membrane will fill the resonance space in the drum tube. While the membrane tension of 131841.38 N produces poor tuning, the vibration of the membrane does not meet the resonance chamber. attach the iron battens and attach the rope for tuning. The frequency and tension of each instrument membrane on the Gandang Tambua musical instrument, the membrane tension of 141090.66 N on the Gandang Tambua musical instrument produces good tension (tuning), because the vibrations of the membrane will fill the resonance space in the drum tube. While the membrane tension of 131841.38 N produces poor tuning, the vibration of the membrane does not meet the resonance chamber. attach the iron battens and attach the rope for tuning. The frequency and tension of each instrument membrane on the Gandang Tambua musical instrument, the membrane tension of 141090.66 N on the Gandang Tambua musical instrument produces good tension (tuning), because the vibrations of the membrane will fill the resonance space in the drum tube. While the membrane tension of 131841.38 N produces poor tuning, the vibration of the membrane does not meet the resonance chamber.
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基于编码的甘唐坦布亚三叠体材料的器官学研究
在巴东帕里亚曼摄政制作甘当坦巴传统乐器的过程。本研究旨在描述甘当坦巴乐器的制作过程。使用的方法是描述性研究类型的定性方法。本研究采用观察法、访谈法和文献法进行数据收集。数据分析技术是通过简化、呈现数据和验证数据来实现的。目的是了解甘当坦巴的结构、工艺、制作技术和演奏技巧。这个乐器由胶合板制成,有一个孔(谐振器),用山羊皮制成。本研究结果显示,制作传统甘唐坦布瓦乐器的过程包括:切割甘唐坦布瓦琴身的胶合板、加工山羊皮(膜)、清洗藤条、制作铁板条、制作声音、制作传统甘唐坦布瓦乐器的调音系统。在制作传统甘唐坦布瓦乐器的过程中使用的工具包括:刀具(胶合板切割刀)、锯子、锤子(Penokok)、测量工具(米)、铅笔、砂纸、螺丝刀、剪刀、竹制水槽和钳子。配料是;木条(圆40)、胶合板、山羊皮、铁条、绳子、钉子、木胶。甘唐坦布瓦乐器的制作过程包括几个阶段,即:1)制作琴身(胶合板)的过程,到细砂和粗砂的精加工;2)皮的加工,包括使用干燃料灰剪切皮和测量直径的宽度;3)安装过程,包括将皮贴在坦布瓦鼓的琴身上,贴铁板条,贴弦以便调音。甘唐坦布瓦乐器上各乐器膜的频率和张力,141090.66 N的膜张力在甘唐坦布瓦乐器上产生良好的张力(调音),因为膜的振动会填满鼓管中的共振空间。而131841.38 N的膜张力导致调谐不良,膜的振动不满足谐振腔。连接铁条,连接调音绳。甘唐坦布瓦乐器上各乐器膜的频率和张力,141090.66 N的膜张力在甘唐坦布瓦乐器上产生良好的张力(调音),因为膜的振动会填满鼓管中的共振空间。而131841.38 N的膜张力导致调谐不良,膜的振动不满足谐振腔。连接铁条,连接调音绳。甘唐坦布瓦乐器上各乐器膜的频率和张力,141090.66 N的膜张力在甘唐坦布瓦乐器上产生良好的张力(调音),因为膜的振动会填满鼓管中的共振空间。而131841.38 N的膜张力导致调谐不良,膜的振动不满足谐振腔。
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