Visualizing Elemental Ontology in the Livre des propriétés des choses

IF 0.2 0 LITERATURE, ROMANCE Romanic Review Pub Date : 2020-05-01 DOI:10.1215/00358118-8007978
Luke Sunderland
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Abstract

This essay offers an encounter with Bruno Latour’s account of ontological pluralism by way of a close reading of the Livre des propriétés des choses, Jean Corbechon’s fourteenth-century French translation of Bartholomaeus Anglicus’s encyclopedia. Engagement with Latour’s Inquiry into Modes of Existence enables a new reading of medieval encyclopedias that takes seriously Latour’s suggestion that premodern cosmologies retain importance for modern ecological thought while simultaneously challenging his arguments about the rigidity of ontologies based on ideas of nature, substance, and matter. This essay argues that the Livre deploys precisely such an ontology in dynamic and flexible ways. The varying visual programs in Livre manuscripts each configure the encyclopedia’s ontology differently, either making humans privileged observers of nature or positioning them as subject to its laws while adopting varying solutions for communicating ontological contentions to readers.
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形象化《事物属性之书》中的基本本体论
这篇文章提供了布鲁诺·拉图尔对本体论多元论的描述,通过仔细阅读让·柯比雄14世纪对巴塞洛缪·安利库斯百科全书的法语翻译——《自由自在的生活》(Livre des propriactassis des choses)。通过研读拉图尔的《存在模式的探究》,我们可以对中世纪百科全书进行新的解读,认真对待拉图尔关于前现代宇宙论对现代生态思想的重要性的建议,同时挑战他关于基于自然、实体和物质观念的本体论的刚性的论点。本文认为,Livre以动态和灵活的方式精确地部署了这样一个本体论。利弗尔手稿中不同的视觉程序都以不同的方式配置了百科全书的本体,要么使人类成为自然的特权观察者,要么将他们定位为自然法则的主体,同时采用不同的解决方案向读者传达本体论的争论。
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来源期刊
Romanic Review
Romanic Review Arts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍: The Romanic Review is a journal devoted to the study of Romance literatures.Founded by Henry Alfred Todd in 1910, it is published by the Department of French and Romance Philology of Columbia University in cooperation with the Departments of Spanish and Italian. The journal is published four times a year (January, March, May, November) and balances special thematic issues and regular unsolicited issues. It covers all periods of French, Italian and Spanish-language literature, and welcomes a broad diversity of critical approaches.
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