Affectual Dramaturgy for Augmented Reality Immersive Heritage Performance

Q3 Arts and Humanities Body, Space and Technology Pub Date : 2021-03-05 DOI:10.16995/BST.368
Mariza Dima, H. Maples
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引用次数: 1

Abstract

This paper introduces the concept of Affectual Dramaturgy as a lens for creating digitally mediated immersive performances in the context of cultural heritage. In doing so we bring together two disciplines, smartglass Augmented Reality design (AR) and immersive heritage performance, with the aim to innovate experiences built for heritage sites. For both disciplines, immersive experience building uses interactive methods to engage the public with the tangible and intangible heritage of a site. Immersive heritage performance incorporates narrative-led, affective, and ludic techniques found in virtual and live immersive and participatory theatre practice. Smartglass AR experiences communicate to the viewer how a place was in the past by means of superimposing on the physical space virtual material accompanied with audio. However, often, the orchestration of the virtual material does not take the context into account and the superimposition of digital information misses an opportunity to connect into the existing narrative of the site tapping into its rich dramatic potential. This article explores how AR design and live performance can blend together through embodied storytelling techniques designed to draw the public’s attention to their sensorial experience of the site, and offer them a deeper understanding of the place’s history, which we refer to as affectual dramaturgy. By fusing embodied, affectual, and sensorial experience into the public’s engagement with the site, this article explores how interdisciplinary collaborations between theatre and AR design may create innovative tools and methods to tell stories of the past for the 21st century museums.
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增强现实沉浸式遗产表演的情感戏剧
本文介绍了情感戏剧的概念,作为在文化遗产背景下创造数字媒介沉浸式表演的镜头。为此,我们将智能玻璃增强现实设计(AR)和沉浸式遗产表演这两个学科结合在一起,旨在为遗产遗址创造创新体验。对于这两个学科,沉浸式体验建筑使用互动的方式让公众参与到场地的物质和非物质遗产中。沉浸式遗产表演结合了虚拟和现场沉浸式和参与式戏剧实践中发现的以叙事为主导的、情感的和滑稽的技术。智能眼镜的AR体验通过在物理空间上叠加虚拟材料并伴有音频,向观众传达一个地方过去的情况。然而,通常情况下,虚拟材料的编排没有考虑到背景,数字信息的叠加错过了连接到网站现有叙事的机会,挖掘其丰富的戏剧性潜力。本文探讨了AR设计和现场表演如何通过具体的叙事技巧融合在一起,旨在吸引公众的注意力到他们对场地的感官体验上,并让他们更深入地了解这个地方的历史,我们称之为情感戏剧。通过将具体的、情感的和感官的体验融入到公众对场地的参与中,本文探讨了戏剧和AR设计之间的跨学科合作如何为21世纪的博物馆创造创新的工具和方法来讲述过去的故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Body, Space and Technology
Body, Space and Technology Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.60
自引率
0.00%
发文量
5
审稿时长
10 weeks
期刊最新文献
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