The Chinese Cultural Elements of the Ullambana Festival

Yingzi Zhao
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Abstract

Buddhism was disseminated from India to China during the Han Dynasty (202 B.C.-220 C.E.) and incorporated local Chinese cultures. It emerged gradually as a specific cultural phenomenon with Chinese features. According to Li Li’an, such a phenomenon could be considered a miniature of all the foreign cultures’ destiny in China, too (Li, 2006). The Ullambana Festival of Buddhism experienced a long process of change within Buddhism itself. The Ullambana Service of Chinese Buddhism is a glittering example of this historically peerless amalgamation of two of the world’s most remarkable ancient civilizations. Thus, this paper attempts to investigate the Chinese cultural elements of the Ullambana Festival during its transmission in China to explore the localization of Buddhism in China further.
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乌兰巴纳节的中国文化元素
佛教在汉代(公元前202年-公元220年)从印度传播到中国,并融入了中国当地文化。它是作为一种具有中国特色的特定文化现象逐渐出现的。李立安认为,这种现象也可以被认为是所有外国文化在中国命运的缩影(Li, 2006)。佛教乌兰巴纳节在佛教内部经历了一个漫长的变化过程。中国佛教乌兰巴纳服务是世界上两个最杰出的古代文明在历史上无与伦比的融合的一个耀眼的例子。因此,本文试图考察乌兰巴纳节在中国传播过程中的中国文化元素,以进一步探讨佛教在中国的本土化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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1.20
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11.10%
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