Embracing a "Big, Black Ass" at a "Tiny, Tiny Ass Desk": Lizzo's Affective Performance of Choric Self-Love

Myles W. Mason
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Abstract

Abstract:This essay analyzes Lizzo's 2019 Tiny Desk Concert as an affective performance of call-and-response that provides insight into pleasurable transgressions of hegemonic boundaries to performatively spread love. Lizzo invites a transgression of these norms, eliciting a response from her physical and digital audiences to embrace the fat, Black, feminine abject as a means of self-love. Turning to the Black communicative technique of call-and-response, the essay illustrates the contours of the choric self-love Lizzo establishes with her audiences that transformatively reimagines a self-love that centers Black women's joy.
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在“小屁股小桌子”前拥抱“大黑屁股”:Lizzo对合唱自爱的情感表演
摘要:本文分析了利佐2019年的《小桌子音乐会》,认为它是一种情感的呼唤与回应表演,它提供了对霸权边界的愉快越界的洞察,以表演的方式传播爱。Lizzo邀请这些规范的违背,引起了她的实体和数字观众的反应,将肥胖,黑人,女性的卑贱作为自爱的手段。转向黑人的呼唤与回应的沟通技巧,这篇文章阐明了Lizzo与她的观众建立的合唱式自爱的轮廓,这种自爱以黑人女性的快乐为中心,以变革的方式重新想象了自爱。
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