{"title":"Embracing a \"Big, Black Ass\" at a \"Tiny, Tiny Ass Desk\": Lizzo's Affective Performance of Choric Self-Love","authors":"Myles W. Mason","doi":"10.1353/wsq.2022.0022","DOIUrl":null,"url":null,"abstract":"Abstract:This essay analyzes Lizzo's 2019 Tiny Desk Concert as an affective performance of call-and-response that provides insight into pleasurable transgressions of hegemonic boundaries to performatively spread love. Lizzo invites a transgression of these norms, eliciting a response from her physical and digital audiences to embrace the fat, Black, feminine abject as a means of self-love. Turning to the Black communicative technique of call-and-response, the essay illustrates the contours of the choric self-love Lizzo establishes with her audiences that transformatively reimagines a self-love that centers Black women's joy.","PeriodicalId":23857,"journal":{"name":"Wsq: Women's Studies Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Wsq: Women's Studies Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/wsq.2022.0022","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This essay analyzes Lizzo's 2019 Tiny Desk Concert as an affective performance of call-and-response that provides insight into pleasurable transgressions of hegemonic boundaries to performatively spread love. Lizzo invites a transgression of these norms, eliciting a response from her physical and digital audiences to embrace the fat, Black, feminine abject as a means of self-love. Turning to the Black communicative technique of call-and-response, the essay illustrates the contours of the choric self-love Lizzo establishes with her audiences that transformatively reimagines a self-love that centers Black women's joy.
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