{"title":"The Narrowing of the Creative Vein: Yankev Glatshteyn and the Poetics of Sclerosis","authors":"Sunny S. Yudkoff","doi":"10.2979/PROOFTEXTS.36.3.04","DOIUrl":null,"url":null,"abstract":"Abstract:The following paper attends to the metaphorics of sclerosis across the poetry, prose, and criticism of the twentieth-century Yiddish writer Yankev Glatshteyn. I first turn my attention to his 1920 poem, \"Arteriosclerosis,\" which takes as its subject an elderly man whose slow death by vascular constriction perfuses into the form and rhythm of the poem. The text has received scant scholarly attention, yet it stands as a performative intervention into modernist poetics and the development of Yiddish free verse. Furthermore, as my reading shows, this poem is also a hermeneutic key to Glatshteyn's 1940 novel, Ven Yash iz gekumen. Although Glatshteyn is not known as a particularly sanguine writer or as a writer of disease, the following paper demonstrates the centrality of the motif of sclerosis across his oeuvre. Indeed, sclerosis reveals what I call his \"poetics of deformation,\" a modernist aesthetic that is simultaneously generative and incapacitating.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":"30 1","pages":"307 - 334"},"PeriodicalIF":0.2000,"publicationDate":"2018-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/PROOFTEXTS.36.3.04","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract:The following paper attends to the metaphorics of sclerosis across the poetry, prose, and criticism of the twentieth-century Yiddish writer Yankev Glatshteyn. I first turn my attention to his 1920 poem, "Arteriosclerosis," which takes as its subject an elderly man whose slow death by vascular constriction perfuses into the form and rhythm of the poem. The text has received scant scholarly attention, yet it stands as a performative intervention into modernist poetics and the development of Yiddish free verse. Furthermore, as my reading shows, this poem is also a hermeneutic key to Glatshteyn's 1940 novel, Ven Yash iz gekumen. Although Glatshteyn is not known as a particularly sanguine writer or as a writer of disease, the following paper demonstrates the centrality of the motif of sclerosis across his oeuvre. Indeed, sclerosis reveals what I call his "poetics of deformation," a modernist aesthetic that is simultaneously generative and incapacitating.
摘要:本文探讨了20世纪意第绪语作家扬基·格拉茨泰因在诗歌、散文和批评中对“硬化”的隐喻。我首先把注意力转向他1920年的诗《动脉硬化》(Arteriosclerosis),这首诗以一位因血管收缩而缓慢死亡的老人为主题,这首诗的形式和节奏也体现了这一点。文本已经收到很少的学术关注,但它作为一个表演干预现代主义诗学和发展意第绪自由诗。此外,正如我所读到的,这首诗也是格拉茨廷1940年的小说《Ven Yash iz gekumen》的解释学关键。虽然Glatshteyn并不是一个特别乐观的作家,也不是一个疾病作家,但下面的文章证明了硬化症主题在他的全部作品中的中心地位。事实上,硬化症揭示了我所说的他的“变形诗学”,一种现代主义美学,它同时具有生动性和失能性。
期刊介绍:
For sixteen years, Prooftexts: A Journal of Jewish Literary History has brought to the study of Jewish literature, in its many guises and periods, new methods of study and a new wholeness of approach. A unique exchange has taken place between Israeli and American scholars, as more work from Israelis has appeared in the journal. Prooftexts" thematic issues have made important contributions to the field.