La scène internationale : les nouveaux horizons dans Daniel Deronda de George Eliot

IF 0.1 4区 文学 0 LITERATURE, BRITISH ISLES CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2012-06-13 DOI:10.4000/cve.1656
Stéphanie Drouet-Richet
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Abstract

At the end of Daniel Deronda, as the hero is about to leave England so as to start a family in what is to be the new Jewish National Centre, a new perspective is created : this new horizon is that of the East. The final episode, which is a beginning as well as an ending, mirrors the whole novel, which itself harks back to George Eliot’s earlier fiction, yet is also radically different. Daniel Deronda operates on a vaster scale, following a progression from restricted microcosm to complex macrocosm, exploring new bearings on the international scene, away from the narrow concerns of the individual to the recognition of the needs of other fellow beings. Daniel Deronda is definitely a novel about borders to be crossed.
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国际舞台:乔治·艾略特的《丹尼尔·德隆达》中的新视野
在《丹尼尔·德隆达》的结尾,当主人公即将离开英国,在新的犹太国家中心建立家庭时,一个新的视角被创造了:这个新的地平线是东方的。最后一集既是开头也是结尾,反映了整部小说,它本身让人想起乔治·艾略特早期的小说,但也截然不同。丹尼尔·德隆达在更大的范围内运作,跟随从有限的微观世界到复杂的宏观世界的进展,探索国际舞台上的新方向,从狭隘的个人关注到认识到其他同胞的需求。《丹尼尔·德隆达》绝对是一部关于跨越边界的小说。
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来源期刊
CAHIERS VICTORIENS & EDOUARDIENS
CAHIERS VICTORIENS & EDOUARDIENS LITERATURE, BRITISH ISLES-
CiteScore
0.10
自引率
0.00%
发文量
17
审稿时长
24 weeks
期刊介绍: Les Cahiers victoriens et édouardiens publient depuis 1974 deux numéros par an, l’un sur des sujets et écrivains variés, l’autre consacré à un auteur ou à un thème. Les Cahiers s’intéressent non seulement à la littérature, mais aussi à tous les aspects de la civilisation de l’époque, et accueillent des méthodes critiques variées. Ils publient aussi des comptes rendus d’ouvrages et des résumés de thèses récemment soutenues sur le sujet. Des articles peuvent être soumis en vue d’une publication éventuelle (règles de présentation du M.L.A. Handbook).
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