‘Indian Gowns Small and Great’: Chintz Banyans Ready Made in the Coromandel, c. 1680–c. 1780

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Costume-The Journal of the Costume Society Pub Date : 2021-03-01 DOI:10.3366/COST.2021.0182
Ariane Fennetaux
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引用次数: 1

Abstract

The article focuses on the close study of a group of eighteenth-century chintz nightgowns that were ready-made or partly ready-made in India for the European market. Whereas nightgowns are usually associated with the taste for the exotic and the spread of the fashion is sometimes linked to the availability of the garment on the ready-made market, the production of ready-made gowns in India and the methods put in place to manufacture these commodities have not been studied. Based on a close reading of surviving chintz nightgowns, the article attempts to understand production techniques put in place by Indian craftsmen to meet European demand. Material evidence suggests streamlined production processes were in place in India from the end of the seventeenth century that had no real equivalent in Europe. The article thus sheds further light on the idea of Europe's ‘Indian apprenticeship’, showing that Indian mastery of colour was coupled with production methods combining artisanal, non-mechanized work with a level of bulk production and enhanced efficiency.
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“大大小小的印度长袍”:科罗曼德尔现成的印花棉布榕树,约1680-c。1780
本文的重点是仔细研究一组18世纪的印花棉布睡袍,这些睡袍在印度是现成的或部分现成的,供欧洲市场使用。虽然睡袍通常与异国情调联系在一起,而这种时尚的传播有时与成衣市场上的服装供应有关,但印度的成品睡袍生产和生产这些商品的方法尚未得到研究。通过对现存印花布睡衣的仔细阅读,本文试图了解印度工匠为满足欧洲需求而采用的生产技术。物质证据表明,从17世纪末开始,印度就有了流线型的生产流程,而欧洲并没有真正的类似流程。因此,这篇文章进一步阐明了欧洲“印度学徒制”的概念,表明印度人对色彩的掌握与生产方法相结合,将手工、非机械化的工作与批量生产水平和提高的效率相结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Costume-The Journal of the Costume Society
Costume-The Journal of the Costume Society HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
50.00%
发文量
27
期刊介绍: Costume is the journal of the Costume Society. It is a scholarly, refereed, academic publication presenting current research into historic and contemporary dress. The journal publishes articles primarily object-based, from a broad chronological period and with a worldwide remit. Costume maintains a balance between practice and theory and concentrates on the social significance of dress. Articles are welcomed from established researchers and those new to the field. The articles published in Costume are sent out for peer-review to ensure that they are of a high standard and make a contribution to dress history.
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