Experience and Expression

Q2 Arts and Humanities Education and Culture Pub Date : 2016-12-21 DOI:10.5703/EDUCATIONCULTURE.32.2.0064
J. Hanes, E. Weisman
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引用次数: 2

Abstract

Two artist-educators analyzed their creative process informed by John Dewey’s concepts regarding the act of expression. The essay interweaves a description of their performance piece with a discussion of conceptual processes, including intermediality and collaboration as crucial in art making, learning, and pedagogical efficacy. Both the creation of the piece and the written analysis were guided by concepts Dewey identified as compression, impulsion, and expression. The authors argue that experience and expression exemplify creative learning and are transferable to knowledge construction in all areas of inquiry. Throughout an aesthetic learning process, deep reflection plays an essential role with interpretation and application becoming the culminating stages. Amid crises in the early twenty-first century, the value for educational theory of an artistic process that leads toward social justice in a democracy is emphasized.
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体验与表达
两位艺术家教育家根据杜威关于表达行为的概念分析了他们的创作过程。这篇文章将对他们的表演作品的描述与概念过程的讨论交织在一起,包括在艺术创作、学习和教学效率中至关重要的中介性和协作性。这篇文章的创作和书面分析都是由杜威确定的压缩、冲动和表达概念指导的。作者认为,经验和表达是创造性学习的例证,并可转移到所有研究领域的知识构建中。在整个审美学习过程中,深刻反思起着至关重要的作用,诠释和应用是审美学习的高潮阶段。在二十一世纪初的危机中,艺术过程的教育理论的价值在民主中走向社会正义得到了强调。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Education and Culture
Education and Culture Arts and Humanities-History
CiteScore
0.20
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0.00%
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0
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