How digital-only fashion brands are creating more participatory models of fashion co-design

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Fashion Style & Popular Culture Pub Date : 2023-03-06 DOI:10.1386/fspc_00176_1
E. Huggard, Natalia Särmäkari
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引用次数: 0

Abstract

The norms and systems of the fashion industry tend to support a small class of brands and designers creating fashion while the public takes on the role of passive consumer. The rise of digital fashion and a new sector of ‘digital-only’ fashion brands now provides unique ways for consumers to interact with fashion online, from buying wearables for digital gaming avatars, to wearing a digital dress on social media, to investing in non-fungible tokens (NFTs) – digital assets based on blockchain technology, bought and sold online. Digital-only fashion brands are reimagining the hierarchical relationships between brand and consumer towards one of empowerment and mutual value via decentralized co-design platforms. Such endeavours allow brands to build community and challenge the ownership and authorship conventions in the fashion industry. Co-design has been widely used by fashion brands as a strategy that promotes involvement from the public/consumer in creating customized and made-to-order products and experiences. Using established theories of participatory art, an approach to making art which engages the public and communities in the creative process, this article explores how digital-only fashion brands are creating more participatory models of ­fashion co-design. To confirm and further explore this theory and to consider how a participatory model is achieved in practice, a qualitative case study was conducted on The Fabricant Studio, a collaborative digital fashion atelier. The findings reveal new methods of co-design used by digital fashion brands that allow consumers to design and monetize their craft while retaining creators’ ownership. The application of the theory also underscores the importance of creative control and decision-making in the fashion co-design process to ensure it is truly participatory vs. interactive. The Fabricant’s methods to educate users through accessible platforms contribute to the diversification of co-designers and digital fashion designers in general.
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纯数字化时装品牌是如何创造更具参与性的时装共同设计模式的
时尚行业的规范和制度倾向于支持一小部分品牌和设计师创造时尚,而公众则扮演被动消费者的角色。数字时尚的兴起和“纯数字”时尚品牌的新领域现在为消费者提供了与在线时尚互动的独特方式,从为数字游戏角色购买可穿戴设备,到在社交媒体上穿着数字服装,再到投资不可替代代币(nft)——基于区块链技术的数字资产,在线买卖。纯数字化的时尚品牌正在通过分散的协同设计平台,重新构想品牌与消费者之间的等级关系,以实现授权和共同价值。这些努力使品牌能够建立社区,并挑战时尚行业的所有权和作者惯例。共同设计被时尚品牌广泛采用,作为一种促进公众/消费者参与创造定制和定制产品和体验的策略。利用参与式艺术(一种让公众和社区参与创作过程的艺术创作方法)的既定理论,本文探讨了纯数字时尚品牌如何创造更多参与式的时尚协同设计模式。为了证实和进一步探索这一理论,并考虑如何在实践中实现参与式模式,我们对协作式数字时装工作室The Fabricant Studio进行了定性案例研究。调查结果揭示了数字时尚品牌采用的共同设计新方法,这些方法允许消费者在保留创作者所有权的同时设计他们的作品并从中获利。该理论的应用也强调了创意控制和决策在时尚协同设计过程中的重要性,以确保它是真正的参与性与互动性。Fabricant通过可访问的平台教育用户的方法有助于合作设计师和数字时装设计师的多样化。
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来源期刊
Fashion Style & Popular Culture
Fashion Style & Popular Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
53
期刊最新文献
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