Memories of a Kaszubi goblin by Bolesław Jażdżewski: An epic form of memory and a document of the times memoirs by B. Jażdżewski on the map of Kaszubi literature

Adela Kuik-Kalinovska
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Abstract

The subject of this article are "Memoirs of a Kashubian Goblin by Bolesław Jażdżewski as an epic form of memory and a document of the times." The narrative forms of memory concern the author's memoirs, comprising of three parts that go back to different periods of historical reality. The first part covers the years 1921-1943, the second - the period from the author's inclusion in the ranks of the Wehrmacht, while the third - refers to the postwar reality of Pomerania and Kashubia after the end of World War II and the construction of a new system in post-war Poland. The presented article is mainly based on the first part of the Memoirs of a Kashubian Goblin and the narrative strategies introduced in the course of reporting about the historical, social, cultural or religious events. B. Jażdżewski primarily relies on the category of memory, thanks to which the told world carries a heavy load of authenticity. In the first part of my research statement, I situate the autobiographical work of Jażdżewski on the map of Kashubian literature, with particular reference to such writers as Aleksander Majkowski, Jan Karnowski or Anna Łajming. In part two, on the other hand, I focus on the category of memory and related narrative strategies, which mean that this prose should be read as a document of the times and a record of history. This work is strongly rooted in the reality of existence in Kashubia and Pomerania in the interwar period and the first years of German occupation during World War II, as well as the post-war reality.
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卡祖比地妖精的回忆Bolesław Jażdżewski:一种史诗般的记忆形式和时代的文件,B. Jażdżewski在卡祖比文学地图上的回忆录
这篇文章的主题是Bolesław Jażdżewski的“卡舒宾地精回忆录”,它是一种史诗般的记忆形式和时代文件。记忆的叙事形式涉及作者的回忆录,由三个部分组成,分别追溯到不同的历史现实时期。第一部分涵盖了1921年至1943年,第二部分是作者加入国防军的时期,而第三部分是二战结束后波美拉尼亚和卡舒比亚的战后现实以及战后波兰新体系的建设。本文主要基于《卡舒比地精回忆录》的第一部分,以及在报道历史、社会、文化或宗教事件的过程中引入的叙事策略。B. Jażdżewski主要依赖于记忆的范畴,正因为如此,被讲述的世界承载着沉重的真实性。在我的研究陈述的第一部分,我把Jażdżewski的自传作品放在卡舒比文学的地图上,特别提到亚历山大·马杰科夫斯基、扬·卡诺维斯基或安娜Łajming等作家。第二部分则着重论述了记忆的范畴及其相关的叙事策略,这意味着这篇散文应该作为时代的文献和历史的记录来阅读。这个作品强烈地植根于卡舒比亚和波美拉尼亚在两次世界大战之间的生存现实和第二次世界大战期间德国占领的第一年,以及战后的现实。
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