Wicked Heritage Problems: Rethinking Critical Heritage Theory with Contemporary Liminality

Alicia V. Stevens
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Abstract

Since the turn of the twenty-first century, an anxious presentism has taken hold of our social and political reality. This condition rejects the lessons of the past, fears the future, and amplifies crises in the present moment, suspending whole societies in uncertainty. These extraordinary times demand innovation of heritage critique, which lacks a core framework for understanding how heritage interacts with the uncertainty of transition. This paper offers an innovative approach to the problem, arguing for transferring the paradigm of contemporary liminality from political anthropology into heritage studies. Contemporary political anthropologists have adapted liminality’s ritual structure to large-scale phenomena like war, revolution, and extreme transition to understand these experiences at the level of the communities living through them. With an epistemology free from the constraints of secular rationalism, contemporary liminality provides a framework for understanding heritage amid transition that sheds new light on core investigations into the politics of memory and identity. It also leads to the concept of a liminal heritage, heritage that takes on characteristics of its liminal context such as ambivalence, ambiguity, imitation, danger, deception, violence, and creativity.
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邪恶的遗产问题:用当代阈限重新思考批判遗产理论
自21世纪初以来,一种焦虑的当下主义占据了我们的社会和政治现实。这种情况拒绝接受过去的教训,害怕未来,放大当前的危机,使整个社会陷入不确定之中。这些特殊的时代要求遗产批判的创新,它缺乏一个核心框架来理解遗产如何与转型的不确定性相互作用。本文提出了一种创新的方法,主张将当代阈限性的范式从政治人类学转移到遗产研究中。当代政治人类学家将阈限性的仪式结构适应于战争、革命和极端过渡等大规模现象,以便在经历这些现象的社区层面上理解这些经历。从世俗理性主义的约束中解放出来的认识论,当代阈限提供了一个理解过渡时期遗产的框架,为记忆和身份政治的核心研究提供了新的视角。这也导致了阈限遗产的概念,遗产具有其阈限背景的特征,如矛盾、模糊、模仿、危险、欺骗、暴力和创造力。
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