Expressions of Modernity and Nationality in Matsudaira Yoritsune’s Prewar Work

IF 0.4 2区 艺术学 0 MUSIC JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2021-03-02 DOI:10.1080/01411896.2021.1881402
Lasse Lehtonen
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引用次数: 1

Abstract

ABSTRACT Matsudaira Yoritsune (1907–2001) is commonly recognized as one of the most influential Japanese composers of the twentieth century, and yet the work he completed prior to the Pacific War has remained virtually unaddressed in the scholarly literature. To compensate for this gap, this article discusses Matsudaira’s prewar work, focusing on his two primary musical influences, Japanese folk songs and gagaku court music. As Matsudaira’s aspiration was to fuse contemporary Western compositional techniques with elements from premodern Japanese music, his prewar work contributes to our understanding not just of the development of his own musical language but also of Japanese music in the 1930s in general.
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松田百合战前作品中的现代性与民族性表现
松田顺(1907-2001)是公认的二十世纪最具影响力的日本作曲家之一,然而他在太平洋战争前完成的作品在学术文献中几乎没有被提及。为了弥补这一差距,本文讨论了松田的战前作品,重点关注他的两个主要音乐影响,日本民歌和歌乐宫廷音乐。由于松寺的愿望是将当代西方作曲技术与前现代日本音乐的元素融合在一起,他战前的作品不仅有助于我们理解他自己的音乐语言的发展,也有助于我们理解20世纪30年代日本音乐的总体发展。
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来源期刊
CiteScore
0.30
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发文量
17
期刊介绍: The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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