Interview with Viviana García-Besné

Q2 Arts and Humanities Studies in Spanish & Latin American Cinemas Pub Date : 2019-09-01 DOI:10.1386/slac_00007_1
Colin Gunckel
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Abstract

In this interview, filmmaker and archivist Viviana García-Besné discusses her work as the founder of the Permanencia Voluntaria archive and the Baticine microcinema in Tepoztlán, Mexico. As the descendent of a family involved in various areas of the Mexican film industry since the early twentieth century, García-Besné has become an advocate for Mexican popular cinema that has long been dismissed by critics and institutions adopting class-based conceptions of cultural value and ‘quality’ cinema. Accordingly, the central mission of Permanencia Voluntaria includes both restoring films produced by her family and advocating for increased appreciation and institutional support for popular cinema and the audiences who enjoy it.
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在这次采访中,电影制作人和档案保持者Viviana García-Besné讨论了她作为永久志愿档案馆和墨西哥Tepoztlán的Baticine微型电影的创始人的工作。作为一个自20世纪初以来就涉足墨西哥电影业各个领域的家庭的后裔,García-Besné已经成为墨西哥流行电影的倡导者,这种电影长期以来一直被评论家和机构所忽视,他们采用基于阶级的文化价值和“质量”电影的概念。因此,永久志愿组织的中心任务包括恢复她的家庭制作的电影,并倡导对流行电影和喜欢它的观众增加欣赏和体制支持。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
14
期刊最新文献
El cambio/The Change Joskowicz ([1971] 1975): Mexican counterculture and the futility of protest in the 1970s El narcotráfico en el cine mexicano: arquetipos desde 2010 a 2017 The inheritance of silence in Cría cuervos/Raise Ravens (Saura 1976) and Julieta (Almodóvar 2016) Ciudad y fantasmagoría: dimensiones de la mirada en el cine urbano de Latinoamérica del siglo XXI, Carolina Rueda (2019) Disability in Spanish-speaking and U.S. Chicano Contexts: Critical and Artistic Perspectives, Dawn Slack and Karen L. Rauch (eds) (2019)
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