Examining the Intersections of Culturally-Relevant Pedagogies and Youth Literature in Theatre Performing Arts and Its Implications for a More Inclusive Learning Experience for BIPOC Students

Karla Lomelí, K. Gutiérrez
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Abstract

This work aims to examine the potential impact of theater guides based on the literary work of BIPOC authors and the culturally relevant pedagogical experiences rendered for students of color. We examine the ways that the exclusion of culturally relevant pedagogies in the creation of theater guides for BIPOC and non-BIPOC students hold the potential to further marginalize BIPOC narratives. We posit that standard approaches to the construction of theater guides of authors of color fails to center familial and cultural knowledge that centers the cultural authenticity of the literary work intended by the authors. This work acknowledges the historical exclusion of BIPOC voices in theatre performance and to that end, this work seeks to analyze how educational guides can work in tandem with Latina/o/x/e literature to center a more authentic experience of BIPOC communities. In this work we reimagine pedagogical practices that are 1) culturally competent and 2) bolster the intersectionality of the lived experiences of BIPOC communities in the educational guides of theatrical productions. This work will provide culturally competent two dramaturgical tenants for educators to consider.
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研究戏剧表演艺术中文化相关教学法和青年文学的交叉点及其对BIPOC学生更具包容性的学习体验的影响
本研究旨在研究基于BIPOC作者的文学作品和有色人种学生的文化相关教学经验的戏剧指南的潜在影响。我们研究了在为BIPOC和非BIPOC学生创建戏剧指南时排除文化相关教学法的方式,这些方法有可能进一步边缘化BIPOC叙事。我们认为,有色人种作家戏剧指南构建的标准方法未能以家庭和文化知识为中心,而家庭和文化知识则以作者意图的文学作品的文化真实性为中心。这项工作承认BIPOC声音在戏剧表演中的历史排斥,为此,这项工作试图分析教育指南如何与拉丁/o/x/e文学协同工作,以更加真实的BIPOC社区体验为中心。在这项工作中,我们重新构想了1)具有文化竞争力的教学实践,2)在戏剧作品的教育指导中加强BIPOC社区生活经验的交叉性。这项工作将为教育工作者提供两个具有文化能力的戏剧租户。
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