A systemic model of furniture meant for stimulating development of a child based on educational aids from M. Montessori

E. Dobrowolska, I. Błaszczak, A. Mielnik, E. Lisiecka
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引用次数: 1

Abstract

In furniture design, understood as a kind of evolutionary process, there is room for designer’s creativity, but not in the sense traditionally accepted in the psychology of creation. The creativity of the designer shapes the products of the evolutionary algorithm but does not replace them. This can be illustrated by the genesis of any design, such as furniture that stimulates the development of the child. The Montessori pedagogy leaves a lot of room for new designs of Montessorian teaching aids. The Montessori didactic material forms a logically structured whole. It enables the child to move out of experience and sensual cognition; it serves not only the development of the intellect but also the education of the whole personality. The Montessorian materials take into account the child’s stage of development, corresponding to a given sensitive phase and the very logic of things, so that the child, while learning, can embrace larger cognitive sequences, arouse a sense of aesthetics, motivation, curiosity and interest, thus triggering various forms of activity.
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一个系统的家具模型,旨在促进儿童的发展,以蒙台梭利的教育辅助为基础
在家具设计中,被理解为一种进化的过程,设计师的创造力有空间,但不是传统意义上的创造心理学所接受的。设计师的创造力塑造了进化算法的产物,但并不取代它们。这可以通过任何设计的起源来说明,例如刺激儿童发展的家具。蒙台梭利教学法为新设计的蒙台梭利教具留下了很大的空间。蒙台梭利教学材料形成一个逻辑结构的整体。它使孩子走出经验和感官认知;它不仅有利于智力的发展,而且有利于整个人格的教育。蒙台梭利教材考虑到孩子的发展阶段,对应于给定的敏感阶段和事物的逻辑,这样孩子在学习的同时,可以接受更大的认知序列,唤起审美、动机、好奇心和兴趣,从而引发各种形式的活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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