Application of Political Satire in Mission to Kala and Devil on The Cross

Ian Mbewe
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Abstract

The study attempted to demonstrate how political satire is applied in a pre-independence African fiction Mission to Kala and a post- independence African fiction Devil on the Cross. Satire, mild or bitter, has a history of being used to expose the negative socio-economic and political realities perpetrated by both the sympathisers of colonialism and later the agents of neo-colonialism in the post-independence phase. The study employed the Marxist literary theory and Literary Onomastics through stylistic analysis and demonstrated how satire exposed the evils and how a ‘training camp’ in the colonial era was transformed into a ‘jungle’ in post-independent Africa. Character types in both periods exhibited parasitic traits such as greed, selfishness, narrow appetites and sadistic violence leading to exploitation and oppression. This historical transition was delineated on the basis of the colonised African elite and subordinates as the direct off-shoot of the African bourgeoisie groups, which created a symbolic connection between the two periods of time in the African context. The findings indicated that both texts maintained the Marxist outlook, employed ironic juxtaposition to satirise capitalism, each satirist employed a different style and Beti had the colonised African elite and subordinates as his targets of satire as opposed to Ngugi’s comprador politicians, comprador and national bourgeoisie. The masses were not spared of criticism.
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政治讽刺在《卡拉传》和《十字架上的魔鬼》中的应用
本研究试图说明政治讽刺是如何运用在独立前的非洲小说《卡拉使命》和独立后的非洲小说《十字架上的魔鬼》中。讽刺作品,无论是温和的还是苦涩的,都有被用来揭露负面的社会经济和政治现实的历史,这些现实都是由殖民主义的同情者和后来在独立后阶段的新殖民主义的代理人所造成的。本研究运用马克思主义文学理论和文学Onomastics,通过文体分析,展示了讽刺是如何揭露罪恶的,以及殖民时代的“训练营”是如何在独立后的非洲变成“丛林”的。这两个时期的人物类型都表现出寄生特征,如贪婪、自私、狭隘的欲望和导致剥削和压迫的虐待狂暴力。这一历史转变是在被殖民的非洲精英和下属作为非洲资产阶级集团的直接分支的基础上描绘的,这在非洲背景下创造了两个时期之间的象征性联系。结果表明,这两篇文章都保持了马克思主义的观点,采用讽刺并置的方式来讽刺资本主义,每个讽刺作家都采用不同的风格,贝提的讽刺对象是被殖民的非洲精英和下属,而不是恩古吉的买办政客、买办和民族资产阶级。群众也免不了受到批评。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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