Pitch adaptive training for hmm-based singing voice synthesis

K. Shirota, Kazuhiro Nakamura, Kei Hashimoto, Keiichiro Oura, Yoshihiko Nankaku, K. Tokuda
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引用次数: 21

Abstract

A statistical parametric approach to singing voice synthesis based on hidden Markov Models (HMMs) has been growing in popularity over the last few years. The spectrum, excitation, vibrato, and duration of singing voices in this approach are simultaneously modeled with context-dependent HMMs and waveforms are generated from the HMMs themselves. HMM-based singing voice synthesis systems are heavily based on the training data in performance because these systems are “corpus-based.” Therefore, HMMs corresponding to contextual factors that hardly ever appear in the training data cannot be well-trained. Pitch should especially be correctly covered since generated F0 trajectories have a great impact on the subjective quality of synthesized singing voices. We applied the method of “speaker adaptive training” (SAT) to “pitch adaptive training,” which is discussed in this paper. This technique made it possible to normalize pitch based on musical notes in the training process. The experimental results demonstrated that the proposed technique could alleviate the data sparseness problem.
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基于hmm的歌唱声音合成的音调自适应训练
一种基于隐马尔可夫模型(hmm)的统计参数方法在过去几年中越来越受欢迎。在这种方法中,歌唱声音的频谱、激发、振动和持续时间同时与上下文相关的hmm建模,并从hmm本身生成波形。基于hmm的歌唱语音合成系统在很大程度上基于表演中的训练数据,因为这些系统是“基于语料库的”。因此,与训练数据中很少出现的上下文因素相对应的hmm不能得到很好的训练。因为生成的F0轨迹对合成歌唱声音的主观质量有很大的影响,所以音高尤其应该被正确地覆盖。本文将“说话人自适应训练”(SAT)方法应用于“音高自适应训练”。这种技术使得在训练过程中基于音符规范化音高成为可能。实验结果表明,该方法可以有效地缓解数据稀疏性问题。
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