Temporal Emotions and Historical Vulnerability: Music as a Vehicle of Ideology in Cold War and Peste Noire

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Emotions-History Culture Society Pub Date : 2021-01-15 DOI:10.1163/2208522x-02010115
Louise D’Arcens
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Abstract

This essay focuses on the Polish film Cold War and the oeuvre of the French nationalist black metal band Peste Noire, examining them as twenty-first-century texts that disclose music’s capacity to solicit emotion in the service of ideology. Despite their aesthetic and ideological differences, each text demonstrates the importance of temporal emotions – that is, emotions that register a heightened sense of the relationship between present, past and future. Each text portrays these emotions’ ideological significance when attached to ideas of a national past. Dwelling on Peste Noire’s racist-nationalist use of the medieval past, the essay explores music as a medium for emotional performances in which white people appear to convey vulnerability while actually reconfirming white supremacy. Peste Noire’s idiosyncratic performance of aggressive vulnerability is a temporal emotion that self-consciously lays claim to a long emotional tradition reaching back to the French Middle Ages.
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时间情感与历史脆弱性:冷战与黑色瘟疫中作为意识形态载体的音乐
本文以波兰电影《冷战》和法国民族主义黑色金属乐队“黑色恶魔”(Peste Noire)的全部作品为研究对象,将它们视为二十一世纪的文本,揭示了音乐为意识形态服务而激发情感的能力。尽管他们的审美和意识形态不同,但每一篇文章都表明了时间情感的重要性——即对现在、过去和未来之间关系的高度感知的情感。每一篇文章都描绘了这些情感在与一个国家的过去联系在一起时的意识形态意义。这篇文章探讨了“黑色恶魔”对中世纪历史的种族主义和民族主义运用,探讨了音乐作为情感表演的媒介,在这种表演中,白人似乎传达了脆弱,但实际上却再次确认了白人至上主义。“黑鬼”对攻击性脆弱的特殊表现是一种暂时的情感,它自觉地宣称自己有一种悠久的情感传统,可以追溯到法国中世纪。
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Emotions-History Culture Society
Emotions-History Culture Society HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
3
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