{"title":"El Museo de Arte: la taxonomía y el Patrimonio como operaciones de formación del objeto y el espacio actual","authors":"Gonzalo Andrés Maire Palma","doi":"10.7764/69.20","DOIUrl":null,"url":null,"abstract":"Este articulo es un estudio critico de dos operaciones fundamentales del Museo de Arte actual: su facultad de taxonomizacion de lo real y su complicidad con la categoria de Patrimonio. En la formulacion contemporanea del Museo de Arte, este trabajo discute los alcances y efectos de la taxonomia como intento de (re)produccion de un regimen unitario y continuo de legibilidad e instalacion de los objetos, asi como la investidura de los objetos como Patrimonio, y en virtud de su posibilidad de experiencia, al modo de “documento-archivo” o “simulacro”.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":"61 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/69.20","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
Este articulo es un estudio critico de dos operaciones fundamentales del Museo de Arte actual: su facultad de taxonomizacion de lo real y su complicidad con la categoria de Patrimonio. En la formulacion contemporanea del Museo de Arte, este trabajo discute los alcances y efectos de la taxonomia como intento de (re)produccion de un regimen unitario y continuo de legibilidad e instalacion de los objetos, asi como la investidura de los objetos como Patrimonio, y en virtud de su posibilidad de experiencia, al modo de “documento-archivo” o “simulacro”.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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