Symbolic Meaning Relationship between the Condong Character and the Putri in the Gambuh Batuan Dance Drama

Cicilia Indraningsih Jeno, Ni Made, I. Trisnawati
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Abstract

Gambuh is the oldest Balinese theatrical dance drama, with a rich repertoire of dance movements, music, dramaturgy, and costume design, making it the source of Balinese performing arts that emerged later. The main story is about the journey of Prince Panji to find his lover, Princess Candra Kirana. There are two important female characters, namely Condong (servant) and Putri (Princess), who have different social statuses but have a close relationship and play a key role at the beginning of the drama, making them the determinant of the success of the performance. The research aims to reinterpret the meanings contained in the Gambuh dance drama, especially the relationship between Condong and Putri, to offer a living interpretation of local wisdom, pass them on to the next generations, and contribute to building the character of the nation that has nobility and refinement of character. The research was conducted using a qualitative research method, including a literature review, participatory observation, and in-depth interviews in Batuan Village, Gianyar Regency, Bali. The research process begins with a formal description of the characters, dance movements, costumes, and antawacana (dialogue), then the symbolic meaning analysis is carried out using Aesthetic Theory and HG Gadamer and Paul Ricoeur's Hermeneutics approach. The results of the study show that the relationship between the two characters, Condong and Putri, carries the meanings of dedication, sincerity, ethics, and the strength of women - values that are local wisdom but very relevant to women today. The elements of Rwa Bhineda, which are two opposing forces, Trihita Karana, which is harmony with nature, God, and humans, and the Hindu concept of Satyam Sivam Shundaram, which embodies ethical and pure values wrapped in beauty in the Gambuh dance drama - are the essence of Gambuh that is relevant to the present day, making it universal, transcending time and distance.
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甘布巴端舞剧中孔洞人物与Putri的象征意义关系
甘布(Gambuh)是巴厘岛最古老的戏剧舞剧,拥有丰富的舞蹈动作,音乐,戏剧和服装设计,使其成为后来出现的巴厘岛表演艺术的源泉。主要故事是关于王子Panji寻找他的爱人,公主Candra Kirana的旅程。剧中有两个重要的女性角色,即Condong(仆人)和Putri(公主),她们的社会地位不同,但关系密切,在戏剧开始时起着关键作用,是演出成功的决定因素。本研究旨在重新诠释甘布舞剧所蕴含的意义,特别是孔东与普崔之间的关系,为当地智慧提供生动的诠释,并将其传承给下一代,为建立高尚而精致的民族性格做出贡献。本研究采用质性研究方法,包括文献回顾、参与式观察、深度访谈等。研究地点位于巴厘岛Gianyar reggency Batuan村。研究过程从对人物、舞蹈动作、服装和对话的形式描述开始,然后运用美学理论和伽达默尔和保罗·里科尔的解释学方法进行象征意义分析。研究结果表明,孔东和普特里这两个角色之间的关系承载着奉献、真诚、道德和女性力量的含义——这些价值观是当地的智慧,但与当今女性非常相关。Rwa Bhineda的元素是两种对立的力量,Trihita Karana是与自然、上帝和人类的和谐,而印度教的Satyam Sivam Shundaram概念体现了在甘布舞蹈剧中包裹在美的伦理和纯粹价值,这是甘布与当今相关的本质,使其超越时间和距离,具有普遍性。
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审稿时长
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