Political Mythology in the Work of Valerius Maximus

IF 0.2 3区 历史学 Q2 HISTORY Rossiiskaya Istoriya Pub Date : 2023-01-01 DOI:10.18254/s207987840024673-9
A. Smorchkov
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Abstract

The article examines the ideas about the republic in the work of the Roman author Valerius Maximus, who lived at the beginning of the principate. The most revealing elements of the republican structure are taken for analysis: the People's Assembly, the Senate, the Tribunes of the Plebs, freedom, the enemies of freedom, as well as the image of Cato the Younger as the embodiment of the moral spirit of the republic. Valerius's narrative is dominated by outstanding personalities and the Senate, which fully corresponds to the current political situation. Such attention to the individual reflects a certain departure from polis collectivism. "Freedom" is perceived by Valerius undoubtedly as the antipode of the sole power, although the special position of the princeps in the new political system was also realized by our author. However, the contradiction here is only external, since already under Augustus an understanding of freedom as “security” (securitas) was formed, which linked freedom with authoritarian power. The views of Valerius Maximus basically correspond to the optimate’ worldview, i.e. the res publica of the past for him is primarily associated with the leadership of the Senate. But this optimate’ view reflects the opposition of the “best citizens” not only to the unreasonable people, but also to the claims of an outstanding personality to sole rule. In this respect, this “program” has come into clear contradiction with the new political situation, changing and adapting as the monarchical principle strengthens. The transformation of optimate’ views is shown by the example of an ardent supporter of the republic Cato the Younger, whose image in Valerius Maximus’ work reflects the transformation of past events into textbook examples outside the historical context.
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瓦列里乌斯·马克西姆斯作品中的政治神话
本文考察了生活在元首制初期的罗马作家瓦莱里乌斯·马克西姆斯作品中关于共和国的思想。本文分析了共和政体结构中最具启示意义的元素:人民大会、参议院、平民保民官、自由、自由的敌人,以及小卡托作为共和道德精神化身的形象。瓦莱里乌斯的叙事以杰出人物和元老院为主,完全符合当时的政治形势。这种对个人的关注反映了对城邦集体主义的某种背离。瓦莱里乌斯毫无疑问地认为“自由”是唯一权力的对立面,尽管我们的作者也意识到了元首在新政治体系中的特殊地位。然而,这里的矛盾只是外在的,因为在奥古斯都统治时期,已经形成了一种将自由理解为“安全”(securitas)的理解,将自由与专制权力联系起来。瓦勒里乌斯·马克西姆斯的观点基本上与最优的世界观相对应,也就是说,对他来说,过去的共和主要与元老院的领导有关。但这种“最优”的观点反映了“最佳公民”的反对,不仅反对不讲道理的人,而且反对杰出人格的独断统治主张。在这方面,这个“纲领”与新的政治形势发生了明显的矛盾,随着君主原则的加强而变化和适应。理想主义观点的转变以共和国的热心支持者小卡托为例,他在瓦莱里乌斯·马克西姆斯作品中的形象反映了过去事件在历史背景之外的教科书范例的转变。
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