{"title":"Voices Lost and Found","authors":"Heidi Moss Erickson","doi":"10.53830/ppkm9172","DOIUrl":null,"url":null,"abstract":"We tend to take our voices for granted. Those of us who sing know that the voice is one of the most powerful instruments, and it is all housed completely within the human body. As singers we express musical gestures and text through our voices. But we also reveal a unique profile of sounds, feelings, and emotions unlike any other person. Our voices are our identities.Those who have struggled with vocal injury, even temporarily, know the pain of that loss. Thankfully, there are a wealth of vocal experts, doctors, and speech voice pathologists to help singers through physical challenges. But there is a class of vocal loss that isn’t at the structural level. The voices themselves are fine: no damage to the folds, no overt trauma to the mechanism. Instead, the challenges result from errors in the complex signaling of the brain to the vocal instrument. In these cases, a doctor cannot just look through a scope to diagnose the issue. The pathways are unseen, and for that reason, the approach must be customized through trial and error. It is only through specialized motor practice and experience that real change can occur. This paper explores three very personal stories of voices that were lost, and then found, through retraining and neuroplasticity.","PeriodicalId":88273,"journal":{"name":"Journal of singing : the official journal of the National Association of Teachers of Singing","volume":"43 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of singing : the official journal of the National Association of Teachers of Singing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53830/ppkm9172","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

We tend to take our voices for granted. Those of us who sing know that the voice is one of the most powerful instruments, and it is all housed completely within the human body. As singers we express musical gestures and text through our voices. But we also reveal a unique profile of sounds, feelings, and emotions unlike any other person. Our voices are our identities.Those who have struggled with vocal injury, even temporarily, know the pain of that loss. Thankfully, there are a wealth of vocal experts, doctors, and speech voice pathologists to help singers through physical challenges. But there is a class of vocal loss that isn’t at the structural level. The voices themselves are fine: no damage to the folds, no overt trauma to the mechanism. Instead, the challenges result from errors in the complex signaling of the brain to the vocal instrument. In these cases, a doctor cannot just look through a scope to diagnose the issue. The pathways are unseen, and for that reason, the approach must be customized through trial and error. It is only through specialized motor practice and experience that real change can occur. This paper explores three very personal stories of voices that were lost, and then found, through retraining and neuroplasticity.
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我们倾向于认为自己的声音是理所当然的。我们这些唱歌的人都知道声音是最强大的乐器之一,它完全被安置在人体内。作为歌手,我们通过声音表达音乐手势和文字。但我们也展示了与其他任何人不同的声音、感觉和情绪的独特轮廓。我们的声音就是我们的身份。那些与声带损伤作斗争的人,即使是暂时的,也知道这种损失的痛苦。值得庆幸的是,有大量的声乐专家、医生和语音病理学家来帮助歌手克服身体上的挑战。但是有一类声音丧失不是在结构层面。声音本身很好:褶皱没有损伤,机制没有明显的创伤。相反,这些挑战是由大脑向发声乐器发出的复杂信号中的错误造成的。在这些情况下,医生不能仅仅通过检查镜来诊断问题。路径是看不见的,因此,必须通过试验和错误来定制方法。只有通过专门的运动练习和经验,才能发生真正的变化。这篇论文探讨了三个非常个人的故事,他们失去了声音,然后通过再训练和神经可塑性找到了声音。
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