Recovering and Redefining Blackness in The Brief Wondrous Life of Oscar Wao

S. Cannon
{"title":"Recovering and Redefining Blackness in The Brief Wondrous Life of Oscar Wao","authors":"S. Cannon","doi":"10.1525/ESR.2018.39-40.1.1","DOIUrl":null,"url":null,"abstract":"In his 2008 novel The Brief Wondrous Life of Oscar Wao, Junot Diaz uncovers the ways in which blackness has been repressed and denigrated in the Dominican Republic. He critiques this pervasive Negrophobia through two central characters, Oscar and his mother, Beli, both of whom are marginalized because of their African phenotypes. Diaz underscores Oscar and Beli9s link to Africa through the recurring figure of the mongoose, which appears at crucial moments in the novel and whose journey parallels the trek of Africans to the Americas as early as the 15th century. The mongoose higlights the ways in which Oscar and Beli (and all Dominicans) are children of the African Diaspora. Intertwined with this recovery of blackness in the novel is its redefinition. Diaz writes against a collective tendency in the United States to see “Black” and “Latino” as two mutually exclusive identities, borrowing from Latin American constructions of race as a fluid identity. In particular, Diaz9 use of specifically Dominican racialized terms to describe characters and his narrator9s frequent use of the word “nigger” juxtapose two different understandings of race in general and blackness in particular. The Brief Wondrous Life of Oscar Wao not only lays bare how, as Silvio Torres-Saillant asserts, “Dominican society is the cradle of blackness in the Americas,” but it also demonstrates the heterogeneous, dynamic, and contingent nature of blackness itself.","PeriodicalId":93702,"journal":{"name":"Explorations in ethnic studies : the journal of the National Association of Interdisciplinary Ethnic Studies","volume":"29 1","pages":"1-18"},"PeriodicalIF":0.0000,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Explorations in ethnic studies : the journal of the National Association of Interdisciplinary Ethnic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/ESR.2018.39-40.1.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

In his 2008 novel The Brief Wondrous Life of Oscar Wao, Junot Diaz uncovers the ways in which blackness has been repressed and denigrated in the Dominican Republic. He critiques this pervasive Negrophobia through two central characters, Oscar and his mother, Beli, both of whom are marginalized because of their African phenotypes. Diaz underscores Oscar and Beli9s link to Africa through the recurring figure of the mongoose, which appears at crucial moments in the novel and whose journey parallels the trek of Africans to the Americas as early as the 15th century. The mongoose higlights the ways in which Oscar and Beli (and all Dominicans) are children of the African Diaspora. Intertwined with this recovery of blackness in the novel is its redefinition. Diaz writes against a collective tendency in the United States to see “Black” and “Latino” as two mutually exclusive identities, borrowing from Latin American constructions of race as a fluid identity. In particular, Diaz9 use of specifically Dominican racialized terms to describe characters and his narrator9s frequent use of the word “nigger” juxtapose two different understandings of race in general and blackness in particular. The Brief Wondrous Life of Oscar Wao not only lays bare how, as Silvio Torres-Saillant asserts, “Dominican society is the cradle of blackness in the Americas,” but it also demonstrates the heterogeneous, dynamic, and contingent nature of blackness itself.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
从奥斯卡·沃短暂奇妙的一生中恢复和重新定义黑人
朱诺·迪亚兹在他2008年出版的小说《奥斯卡·瓦奥短暂而奇妙的一生》中,揭露了多米尼加共和国黑人被压制和诋毁的方式。他通过两个中心人物——奥斯卡和他的母亲贝利——来批判这种普遍存在的黑人恐惧症,两人都因为非洲人的表型而被边缘化。迪亚兹通过猫鼬这个反复出现的人物来强调奥斯卡和贝利斯与非洲的联系,猫鼬在小说的关键时刻出现,它的旅程与早在15世纪非洲人到美洲的长途跋涉相似。猫鼬突出了奥斯卡和贝利(以及所有多米尼加人)是非洲侨民的孩子。在小说中,与黑色的恢复交织在一起的是它的重新定义。迪亚兹反对美国的一种集体倾向,即将“黑人”和“拉丁裔”视为两种相互排斥的身份,借用拉丁美洲的种族结构作为一种流动的身份。特别是,迪亚兹使用多米尼加特有的种族化术语来描述人物,他的叙述者频繁使用“黑鬼”这个词,并将两种对种族的不同理解,特别是对黑人的理解并列在一起。《奥斯卡·瓦奥的短暂奇妙一生》不仅揭示了西尔维奥·托雷斯-赛兰特所说的“多米尼加社会是美洲黑人的摇篮”,而且还展示了黑人本身的异质性、动态和偶然性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Oral Resources for Reconstructing the Sannyasi And Fakir Rebellion (1763-1800) Identity Politics in Sui Sin Far's Mrs. Spring Fragrance: Race and Gender Dynamics in “The Sing Song Woman” and “Its Wavering Image” Implications of Ancestral Connectedness and the Afrocentric Paradigm for Anglo Saxon American Identity Construction Recovering and Redefining Blackness in The Brief Wondrous Life of Oscar Wao Bulletproof Diva and the Oral Tradition: The Work of Lisa Jones
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1