Progressing, Individualizing and Monitoring of the Students’ Learning. Tools and Methodological Benchmarks

Georgeta Merişor Dominte, Marina Vraciu, Stelian Onica
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引用次数: 0

Abstract

Although Sacred Art includes all manifestation with a religious substrate which address human senses, it stays in the memory of communities mostly by forms of visual expression. The latter have a longer impact on people and educate them both aesthetically and ethically. At the core of each image lies a conceptual substratum based on and translatable into words, which outflows by means of plastic and technological aspects. Generally, these aspects purport to some rules which become ordering canons when ethical needs command aesthetic varieties such as the primary requirement of continuity and the recognition in time of some models of behaviour. Representative artifacts require physical maintenance over longer periods of time by means of conservation and restoration; the latter explains the concern over heritage to be saved, to the benefit of the succeeding generations. By its very nature, Sacred Art expresses transdisciplinarity and assumes a representative unifying statute.
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学生学习的进步、个性化与监控。工具和方法基准
尽管神圣艺术包含了所有与人类感官有关的宗教基础的表现,但它主要通过视觉表达的形式留在社区的记忆中。后者对人的影响较长,对人进行审美和伦理教育。每个图像的核心都是一个基于并可翻译成文字的概念基础,它通过塑料和技术方面流出。一般来说,当伦理需要要求审美多样性时,例如连续性的基本要求和对某些行为模式的及时承认时,这些方面声称有一些规则成为有序的规范。代表性的文物需要通过保护和修复的方式进行长时间的物理维护;后者解释了对遗产保存的关注,以造福后代。就其本质而言,神圣艺术表达了跨学科性,并具有代表性的统一法规。
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来源期刊
Journal of Computational Technologies
Journal of Computational Technologies Mathematics-Applied Mathematics
CiteScore
0.60
自引率
0.00%
发文量
37
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