Birdsongs and Sonnets: Acoustic Imitation in Renaissance Lyric

IF 0.4 3区 社会学 Q4 MATERIALS SCIENCE, CHARACTERIZATION & TESTING HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-12-01 DOI:10.1353/hlq.2021.0041
M. Lazarus
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Abstract

abstract:Nightingale poetry draws on an ancient literary topos that attributes human meaning to the pure voice of birdsong. Yet a branch of this tradition pulls in the opposite direction, in which the ancient simile between human and bird instead collapses semantics into sound. Largely neglected in existing scholarship, this extraordinary family of poems, musical settings, and ad sonum translation moves among and between the languages of Renaissance Europe, expanding the work of “imitation” and demanding new strategies of reading lyric.
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鸟鸣与十四行诗:文艺复兴时期抒情诗的声学模仿
夜莺诗借鉴了一个古老的文学主题,将人类的意义赋予了鸟鸣的纯净声音。然而,这一传统的一个分支却朝着相反的方向发展,在这个分支中,人与鸟之间的古老比喻反而将语义瓦解为声音。在现有的学术研究中,这一非凡的诗歌、音乐背景和即兴翻译家族在文艺复兴时期的欧洲语言之间流动,扩大了“模仿”的工作,并要求阅读歌词的新策略。
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HUNTINGTON LIBRARY QUARTERLY
HUNTINGTON LIBRARY QUARTERLY HUMANITIES, MULTIDISCIPLINARY-
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