El tiempo poético en el Cantar de mio Cid

Q4 Arts and Humanities Medievalia Pub Date : 2022-06-07 DOI:10.19130/medievalia.2022.1.370x75
L. F. López González
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Abstract

Time and space are of foremost importance in the dramatic economy of medieval epic poems because they serve the important function of situating the reader spatially and chronologically. In the Cantar de Mio Cid, the poet places particular emphasis on the theme of time, enumerating the years, months, weeks, and days for his reader to present his narrative as a verisimilar, if not historic, chronicle. This study seeks to interrogate the time that elapses from the beginning of the poem to the end, arguing that the poet’s penchant for relative chronological precision betrays an effort to convey his story as historical fact. His ability to weave fiction and reality has greatly contributed to the Cantar’s timelessness, one that renders it relevant even in our modern society. The representation of time helps create the illusion of realism, helping to humanize Rodrigo Díaz and heightening the dramatic impact of the poem.
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《mio Cid之歌》中的诗意时光
在中世纪史诗的戏剧经济中,时间和空间是最重要的,因为它们在空间和时间上为读者提供了重要的位置。在《圣歌》中,诗人特别强调了时间的主题,他列举了年、月、周、日,让读者把他的叙述当作一个真实的编年史来呈现,如果不是历史性的。本研究试图质疑从诗的开头到结尾的时间,认为诗人对相对时间顺序精确的偏好背叛了他将自己的故事作为历史事实传达的努力。他编织虚构与现实的能力极大地促成了《康塔尔》的永恒,即使在我们的现代社会,也使它具有相关性。时间的表现有助于创造现实主义的幻觉,有助于罗德里戈的人性化Díaz,并加强了诗歌的戏剧性影响。
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来源期刊
Medievalia
Medievalia Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
16 weeks
期刊最新文献
Noelia Silva Santa Cruz, Francisco de Asís García García, Laura Rodríguez Peinado y Raúl Romero Medina (eds.), (In)materialidad en el arte medieval, Gijón, Trea, Piedras Angulares, 2023, 349 páginas 83 imágenes color, 2 tablas, ISBN 978-84-19525-68-0 Juego, simulación y cortesía: personajes históricos en textos literarios franceses del siglo XIII Matteo Maria Boiardo, Orlando enamorado, trad. Francisco Garrido de Villena (1555), edición crítica y anotada e introducción de Helena Aguilà Ruzola, Cilengua, San Millán de la Cogolla, 2023, 1.230 páginas. ISBN 9788418088278 (obra completa); 9788418088254 (vol. I), 9788418088261 (vol. II) La cançó de dona catalana: establiment del corpus, influències literàries i problemes de filiació Materializando lo inmaterial. Algunas consecuencias artísticas de la fiesta de la Virgen de la O en la Baja Edad Media
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