‘This season of cellophane everywhere’: The scintillating cellophane fashions of 1934

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Fashion Style & Popular Culture Pub Date : 2022-07-01 DOI:10.1386/fspc_00133_1
C. Sauro
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Abstract

In 1934, textiles woven with strips of glittering cellophane were the pinnacle of high fashion. This trend has been credited mainly to Elsa Schiaparelli, who worked closely with the French textile manufacturer, Colcombet, to produce some of the most notable textiles of the early 1930s. While Schiaparelli was undeniably prominent in the promotion of cellophane fashions, she was one of many designers utilizing textiles woven with slit cellulose film during this period. The cellophane fashions produced by Schiaparelli and her peers were startling in their modernity and emblematic of the ‘strange glamour’ worn by some of the best-dressed women of the early 1930s. Cellophane fashions were promoted by the French couturiers throughout 1934 and quickly embraced by the American fashion industry. However, despite this initial enthusiasm, the cellophane fashion trend soon subsided as the artistic and intellectual associations of cellophane fashions were replaced with those of practicality and thrift.
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“这个玻璃纸无处不在的季节”:1934年的玻璃纸时尚
1934年,用闪闪发光的玻璃纸条编织的纺织品是高级时装的顶峰。这一趋势主要归功于Elsa Schiaparelli,她与法国纺织品制造商Colcombet密切合作,生产了20世纪30年代早期一些最著名的纺织品。无可否认,夏帕瑞丽在推广玻璃纸时装方面发挥了重要作用,她是这一时期使用细缝纤维素薄膜编织纺织品的众多设计师之一。夏帕瑞丽和她的同行们制作的玻璃纸时装具有惊人的现代感,象征着20世纪30年代早期一些穿着最佳的女性所穿的“奇怪的魅力”。玻璃纸时装在1934年由法国时装设计师推广,并迅速被美国时装界所接受。然而,尽管有这种最初的热情,但玻璃纸时尚的趋势很快就消退了,因为玻璃纸时尚的艺术和知识联系被实用和节俭所取代。
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来源期刊
Fashion Style & Popular Culture
Fashion Style & Popular Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
53
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