Through an Ale Glass, Palely: Mermen, Neptune/Poseidon and Tritons as motifs in beer brands and product labels.

Coolabah Pub Date : 2019-12-20 DOI:10.1344/co201927106-135
A. Mesker
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引用次数: 1

Abstract

While the merman has been a minor figure in modern popular culture — in marked contrast to his gender counterpart, the mermaid — the figure has begun to enjoy a resurgence in several cultural niches in recent decades. One of the most notable of these has occurred with regard to the branding and marketing of types of beer and, in particularly, with the burgeoning ‘craft beer’ movement that has taken off in North America, Europe and Australasia (in particular) since the early 2000s. After an introduction to the merman in popular culture, this article analyses the use of mermen and related fish-tailed mythological males in brewery names and symbols, on beer bottle labels and in related marketing material. The article considers the product image created by such symbolism and the manner in which it might be modifying the role and perception of the merman and related figures in contemporary popular culture. It furthermore aims to illustrate ways that contemporary abstract, naive, camp and kitsch depictions of mermen are embraced by breweries to situate themselves as culturally engaged, environmentally oriented, or anti-establishment agitators.
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透过啤酒杯,苍白:人鱼,海王星/波塞冬和海神作为啤酒品牌和产品标签的主题。
尽管在现代流行文化中,人鱼一直是一个小角色——与他的性别对手人鱼形成鲜明对比——但近几十年来,这个角色在几个文化利基中开始复苏。其中最引人注目的是啤酒的品牌和营销,特别是自21世纪初以来在北美、欧洲和大洋洲(特别是)蓬勃发展的“精酿啤酒”运动。在介绍了流行文化中的人鱼形象之后,本文分析了人鱼和与之相关的鱼尾神话中的男性形象在啤酒厂名称和标志、啤酒瓶标签以及相关营销材料中的运用。本文探讨了这种象征主义所创造的产品形象,以及它在当代流行文化中可能改变人鱼及相关人物的角色和认知的方式。此外,它旨在说明当代抽象,天真,营地和媚俗的描绘方式被啤酒厂所接受,将自己定位为文化参与,环境导向或反建制鼓动者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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