{"title":"Transposición de El Húsar de la Muerte de Pedro Sienna por el colectivo La Patogallina","authors":"Isabel Andrea Sapiaín Caro, Carla Cortez Cid","doi":"10.7764/67.8","DOIUrl":null,"url":null,"abstract":"This work analyzes the “adaptation” of the film El husar de la muerte of Pedro Sienna made by La Patogallina collective. It explores the link between both pieces from the transposition viewpoint, the relationship between the silent cinematographic language and the theatrical one, and the political aftermaths of the theater piece. For such reasons, it notes the success achieved by the movie, the popularity of the character Manuel Rodriguez, the characteristics of the play and the narrative and aesthetics operations of the transposition. With this, La Patogallina would build a piece that celebrates both the silent cinema code from the theatrical language and the figure of Manuel Rodriguez, updating its political meaning and that of its fight in contemporary Chile.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/67.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
This work analyzes the “adaptation” of the film El husar de la muerte of Pedro Sienna made by La Patogallina collective. It explores the link between both pieces from the transposition viewpoint, the relationship between the silent cinematographic language and the theatrical one, and the political aftermaths of the theater piece. For such reasons, it notes the success achieved by the movie, the popularity of the character Manuel Rodriguez, the characteristics of the play and the narrative and aesthetics operations of the transposition. With this, La Patogallina would build a piece that celebrates both the silent cinema code from the theatrical language and the figure of Manuel Rodriguez, updating its political meaning and that of its fight in contemporary Chile.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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