{"title":"Raphael‟s “The School of Athens”: A Hypothesis on the Identity and Symbolic Meaning of the Figure in White Cloak: The True Muse of Raphael","authors":"Vahan Bezirganyan","doi":"10.24234/wisdom.v26i2.1006","DOIUrl":null,"url":null,"abstract":"Raphael’s fresco “The School of Athens” is rich with figures of prominent philosophers who are identified by their certain characteristic details. The identity of a figure in Raphael’s “The School of Athens” Plato group traditionally attributed to Francesco Rovere, is currently being questioned. Present article brings forward a new hypothesis on this matter: the aforementioned figure is seen as a collective figure that symbolizes the unity of a man and a woman, in this case, Raphael and his muse. Besides, this figure also encodes the year when the fresco was painted. As a key to the code, the blackboard containing the Platonic perfect number 10 immediately at the figure’s feet is important, as well as the positions of some of the figures in the first row on the left part of the painting. The article also makes some revelations about Raphael’s real muse, who, according to the author, was the courtesan Imperia. Evidence of this is the fact that Imperia is portrayed in many of Raphael’s works.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24234/wisdom.v26i2.1006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Raphael’s fresco “The School of Athens” is rich with figures of prominent philosophers who are identified by their certain characteristic details. The identity of a figure in Raphael’s “The School of Athens” Plato group traditionally attributed to Francesco Rovere, is currently being questioned. Present article brings forward a new hypothesis on this matter: the aforementioned figure is seen as a collective figure that symbolizes the unity of a man and a woman, in this case, Raphael and his muse. Besides, this figure also encodes the year when the fresco was painted. As a key to the code, the blackboard containing the Platonic perfect number 10 immediately at the figure’s feet is important, as well as the positions of some of the figures in the first row on the left part of the painting. The article also makes some revelations about Raphael’s real muse, who, according to the author, was the courtesan Imperia. Evidence of this is the fact that Imperia is portrayed in many of Raphael’s works.
拉斐尔的壁画《雅典学派》(The School of Athens)中有许多著名哲学家的形象,这些人物都是通过他们的某些特征细节来识别的。在拉斐尔的“雅典学派”柏拉图组中,一个人物的身份传统上被认为是弗朗西斯科·罗维尔,目前正在受到质疑。本文对这一问题提出了一个新的假设:上述人物被视为一个集体人物,象征着一个男人和一个女人的团结,在这种情况下,拉斐尔和他的缪斯。此外,这个数字还编码了壁画绘制的年份。作为密码的关键,人物脚下的黑板上写着柏拉图式的完美数字10,以及画中左边第一排一些人物的位置都很重要。这篇文章还揭示了拉斐尔真正的缪斯,根据作者的说法,她是交际花Imperia。证据是,在拉斐尔的许多作品中都描绘了帝国。