Eastern European film festivals: streaming through the covid-19 pandemic

IF 0.3 0 FILM, RADIO, TELEVISION Studies in Eastern European Cinema Pub Date : 2021-08-14 DOI:10.1080/2040350X.2021.1964218
Jan Hanzlík, E. Mazierska
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引用次数: 4

Abstract

Abstract The Covid-19 pandemic disrupted virtually all domains of the film industry, from the production, through distribution to exhibition of films. As opposed to flourishing VOD platforms, cinemas have been hit particularly hard and with them film festivals, which had to choose between postponing their terms, becoming online or hybrid, or being cancelled altogether. The article focuses on festivals that either take place in Eastern Europe or are focused on the cinema of the region. It first briefly outlines the history of film festivals in Eastern Europe, then it summarizes the impact of the Covid-19 pandemic on cinemas and VOD platforms and finally presents three case studies of festivals and their activities during the pandemic. The three festivals streamed at least some films from their programmes and endorsed other activities, such as online industry events, drive-in cinemas and Virtual Reality events. The study concludes that the degree to which film festivals could successfully take place during the pandemic depended more on the type of festival than on its geographical location or geographical focus. Eastern European festivals were not lagging behind the West in this respect and many European festivals were, in fact, cooperating and learning from one another.
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东欧电影节:新冠肺炎大流行
新冠肺炎疫情几乎扰乱了电影产业的所有领域,从电影制作、发行到放映。与蓬勃发展的视频点播平台相反,影院受到的冲击尤其严重,电影节也受到了冲击,它们不得不在延期、在线或混合模式、或完全取消之间做出选择。这篇文章关注的是在东欧举办的电影节,或者是该地区的电影。首先简要概述了东欧电影节的历史,然后总结了Covid-19大流行对电影院和视频点播平台的影响,最后介绍了三个大流行期间电影节及其活动的案例研究。这三个电影节至少播放了部分影片,并支持其他活动,如在线行业活动、汽车影院和虚拟现实活动。该研究得出的结论是,在疫情期间电影节成功举办的程度更多地取决于电影节的类型,而不是其地理位置或地理重点。东欧的节日在这方面并不落后于西方,事实上,许多欧洲节日是相互合作和学习的。
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来源期刊
Studies in Eastern European Cinema
Studies in Eastern European Cinema Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
34
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