”Sveriges första barnbok med hen”

Q2 Arts and Humanities Barnboken Pub Date : 2023-03-24 DOI:10.14811/clr.v46.765
Louise Almqvist
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引用次数: 0

Abstract

”Sweden’s First Children’s Book with They”: Norm-Criticism and Didactics in Kivi & Monsterhund Around 2007, several self-proclaimed norm-critical publishing companies were established in Sweden. This caused a long debate in the daily press, where some critics compared the ”norm-critical” books to propaganda. The debate indicates a conflict between an aesthetic and a didactic approach to children’s literature. Another lively debate with similar critique took off when Kivi & Monsterhund (Kivi and Monsterdog, 2012) by Jesper Lundqvist and Bettina Johansson was published – a picturebook where the protagonist is referred to by a gender-neutral prounoun. The purpose of this article is to problematise the prevailing view on self-proclaimed norm-critical children’s literature and its didactic relationship to the reader. The reception, the paratexts, and the book itself are analysed using Torben Weinreich’s and Clémentine Beauvais’ different definitions of didactics, Gérard Genette’s view on pararatexts, Maria Nikolajeva’s theories on picturebooks, and Judith Butler’s view on gender as performative. The book, and its didactic relationship to the reader, is found to be much more complex and conflicting than suggested by the reception and the paratexts.  
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“瑞典的第一本儿童读物”:Kivi和Monsterhund的规范批评和教学。2007年左右,瑞典成立了几家自称为规范批评的出版公司。这在日报上引起了长时间的争论,一些评论家将这些“批判规范”的书籍比作宣传。这场争论表明了儿童文学的审美和说教方法之间的冲突。杰斯珀·伦德奎斯特(Jesper Lundqvist)和贝蒂娜·约翰逊(Bettina Johansson)的绘本《Kivi & Monsterhund》(Kivi and Monsterdog, 2012)出版后,另一场带有类似批评的激烈辩论也爆发了——书中主人公被称为中性代词。这篇文章的目的是质疑对自诩为规范批判的儿童文学及其与读者的教学关系的普遍看法。本文运用托尔本·魏因赖希和克莱姆塔因·博韦对教学的不同定义、格姆塔德·热内特对副文本的看法、玛丽亚·尼古拉耶娃对绘本的理论和朱迪思·巴特勒对性别作为表演的观点,对接受、副文本和书本身进行了分析。这本书,以及它与读者的说教关系,被发现比接受和副文本所暗示的要复杂和矛盾得多。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Barnboken
Barnboken Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
22
审稿时长
20 weeks
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