‘Taking a line for a walk’: On improvisatory drawing

Q3 Arts and Humanities Drawing: Research, Theory, Practice Pub Date : 2021-12-01 DOI:10.1386/drtp_00064_1
R. Nemirovsky, Tam Dibley
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引用次数: 1

Abstract

In this article we reflect on a line traced by Julia. Julia is an undergraduate student in a class that includes a project entitled ‘Lives of Lines’. As part of the activities of this project, the students were asked to draw continuously for a minute with a white marker on a black page, without lifting the marker, and without trying to represent anything in particular. We analyse Julia’s tracing of the line as a kind of improvisation ‐ the same type of improvising that occurs in conversations, music playing, hiking, dancing and countless other activities. We characterize the improviser as a daydreamer immersed in a reverie: an open field of reciprocating forces, desires, surprises and recollections playing themselves out as some of them encounter their way forward free to proceed, and others do not. The improviser becomes an arena in which body, hand, pen, paper, chair, other bodies, traces, words and sounds mutually displace and attract on their own.
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“带着线散步”:即兴绘画
在这篇文章中,我们将回顾茱莉亚追踪的一条线。茱莉亚是一名本科生,她所在的班级有一个名为“线条的生活”的项目。作为这个项目活动的一部分,学生们被要求用白色的马克笔在黑色的页面上连续画一分钟,不要举起马克笔,也不要试图表现任何特别的东西。我们分析了茱莉亚对线条的追踪,认为这是一种即兴创作——与对话、音乐演奏、徒步旅行、舞蹈和无数其他活动中的即兴创作相同。我们把即兴创作者描述为沉浸在幻想中的白日梦者:一个开放的领域,相互作用的力量、欲望、惊喜和回忆发挥着自己的作用,其中一些遇到了前进的道路,自由地继续前进,而另一些则没有。即兴创作成为一个舞台,在这个舞台上,身体、手、笔、纸、椅子、其他身体、痕迹、文字和声音相互取代,相互吸引。
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来源期刊
Drawing: Research, Theory, Practice
Drawing: Research, Theory, Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
11
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