Crafting Friendship

IF 0.3 2区 艺术学 0 ART Art History Pub Date : 2023-02-22 DOI:10.1111/1467-8365.12685
Christine I. Ho
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Abstract

Craft exhibitions were one of the major forms of cultural and economic exchange among socialist countries, a key feature of friendship exchanges that mapped Cold War alliances at mid-century. This essay examines the implications of craft exhibitions exported between China and her ‘brother’ nations, especially in Eastern Europe. Export exhibitions enabled the circulation of objects, craftspeople, and students, and trod a grey zone between art and industry, mutual cultural appreciation, and mutual economic dependency. Promoting craft as the epitome of socialist culture's diversity also questioned Soviet hegemony over the forms associated with high state culture, opening the way for other routes of formal experimentation and abstraction. Mapping craft exhibitions underscores how the socialist valorization of the ‘folk’ was not solely an enterprise of national identity, but construed as part of a crafted internationalism.

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制作的友谊
工艺展览是社会主义国家之间文化和经济交流的主要形式之一,是友谊交流的一个重要特征,映射了上世纪中叶的冷战联盟。这篇文章探讨了中国和她的“兄弟”国家,特别是东欧国家之间出口的工艺展览的影响。出口展览使物品、工匠和学生得以流通,并跨越了艺术与工业、相互文化欣赏和相互经济依赖之间的灰色地带。推动工艺作为社会主义文化多样性的缩影,也质疑了苏联对与高级国家文化相关的形式的霸权,为其他形式的实验和抽象开辟了道路。地图工艺展览强调了社会主义对“民间”的珍视不仅仅是一种民族认同的企业,而是一种精心制作的国际主义的一部分。
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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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