G. Peaty, Kathryn Locke, Kai-Ti Kao, Katie Ellis, Hersinta
{"title":"A series of lively impressions: Quality narration and the rise of audio description","authors":"G. Peaty, Kathryn Locke, Kai-Ti Kao, Katie Ellis, Hersinta","doi":"10.1177/1329878x231183286","DOIUrl":null,"url":null,"abstract":"This article investigates the multiple values of audio description (AD) across an increasingly discerning, broad and multi-platform audience of video consumers. While other accessibility features, such as closed captions, are an established aspect of accessible video consumption, AD has more recently emerged as a socially and culturally significant feature for audiences, both with and without vision-based disabilities. This article offers a review of historical accounts of AD and current discussions around both the quality and provision of AD for video. This discussion is presented alongside the findings from our three-way review of the accessibility of the video on demand landscape in Australia. We identify that AD is at a critical juncture, popularised by the rise in audio content and audience demands for personalised viewing options, thus becoming a mainstream entertainment issue as well as an accessibility issue.","PeriodicalId":46880,"journal":{"name":"Media International Australia","volume":"14 1","pages":""},"PeriodicalIF":1.5000,"publicationDate":"2023-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media International Australia","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/1329878x231183286","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
This article investigates the multiple values of audio description (AD) across an increasingly discerning, broad and multi-platform audience of video consumers. While other accessibility features, such as closed captions, are an established aspect of accessible video consumption, AD has more recently emerged as a socially and culturally significant feature for audiences, both with and without vision-based disabilities. This article offers a review of historical accounts of AD and current discussions around both the quality and provision of AD for video. This discussion is presented alongside the findings from our three-way review of the accessibility of the video on demand landscape in Australia. We identify that AD is at a critical juncture, popularised by the rise in audio content and audience demands for personalised viewing options, thus becoming a mainstream entertainment issue as well as an accessibility issue.