INTIMIDAD Y RELATO DE INFANCIA

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI:10.5944/signa.vol29.2020.27164
Celia Fernández Prieto
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Abstract

Abstract: The autobiography of childhood is taken in this article as one of the most innovative literary representations of intimacy in that it implies the imaginary reconstruction of a childhood self that no longer exists but inhabits as a ghost the memory of the adult. This ghostly presence adopts different forms in the childhood autobiographies of Annie Ernaux and Luis Landero, whose writing explore the ongoing persistence of feelings of shame (in the former) and guilt (in the latter), and the difficulty inremembering and expressing those feelings.
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童年的亲密和故事
摘要:童年自传是最具创新意义的亲密文学表现形式之一,它隐含着对童年自我的想象性重构,而童年自我已不复存在,只是以幽灵的形式存在于成人的记忆中。在安妮·埃诺和路易斯·兰德罗的童年自传中,这种幽灵般的存在以不同的形式出现,他们的作品探讨了持续不断的羞耻感(前者)和负罪感(后者),以及记忆和表达这些感觉的困难。
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CiteScore
0.40
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发文量
258
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Reseña de: Rosa María Belda. El sujeto en la poesía de Miguel Femández. Madrid: UNED, 2000 Reseña de: José Romera Castillo y Francisco Gutiérrez Carbajo (eds.): El cuento en la década de los noventa. Madrid: Visor Libros/UNED, 2001 Reseña de: Víctor Cantero García. Las aportaciones de los dramas de «costumbres burguesas» de Luis de Eguilaz al conocimiento de la burguesía española de la segunda mitad del XIX. Cádiz: Servicio de Publicaciones de la Universidad de Cádiz, 2000 Reseña de: Jerónimo López Mozo. Combate de ciegos. Yo, maldita india... (Dos obras de teatro). Madrid: UNED, 2000 Reseña de: José Teruel Benavente: Otro marco teórico para el medio siglo: la poesía de Miguel Fernández. Madrid: UNED, 2000
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