Italian Futurism and the Explosive ‘Now’

Abstract

This chapter examines the development and changing artistic and socio-political implications of a particular temporal modality—‘the present as history’—within a variety of Futurist texts. It draws on the work of Frederic Jameson to argue that the Italian Futurists sought to radically disrupt a particular representation of the present in their calls to destroy the past and attempts to endow futurity with the urgency of fully embodied agency. Wittman argues that the Futurists reject a specific, historicist, bourgeois understanding of history and seek to inaugurate a new sense of time, an explosive ‘now’. Comparing early and later texts by Marinetti and other Futurists, and identifying their debts to anarchist thought, the chapter demonstrates that their strategy of breaking into the present can only counter totalitarian appropriations if it remains anchored in embodied practices.