Erzählungen von Leben und Tod

Q4 Social Sciences Millennium DIPr Pub Date : 2019-10-21 DOI:10.1515/mill-2019-0004
F. John
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引用次数: 1

Abstract

Abstract While a narratological reading of the Gospels is relatively well accepted, their characterisation as parts of the genre of ancient biography was much antagonised in former times. Although things have changed thanks to seminal monographs on the problem from the second half of the 20th century and to continuing work, some questions remain open. Therefore, a narratological comparison of Gospels with concrete representatives of the ancient bios could possibly help to clarify the relations between both. In what follows, the oldest Gospel is read simultaneously with Plutarch’s Biography of the Younger Cato. Three observations are made: a) The structures of the narratives of Cato and of Jesus match to a high degree. Both protagonists carry out certain duties while operating in public. In most instances, they achieve great successes. From a certain point on, however, they irrevocably approach failure and ruin. This structure of story seems to form the basis both of the Gospel and of the biography of Cato, written ca. three decades later. b) Obviously, both works narrate the life of a man, his exceptional character, his extraordinary operations in public and his non-natural violent dead. In Plutarch’s version, the Younger Cato fails in the end. At first sight, also Mark’s Jesus fails to accomplish his mission. By God’s action he is turned into the saviour of the faithful however. This claimed unsurpassed relevance of the story is contrasted with the laconism of the narration. c) Both narrations are composed out of both factual and fictional elements. Thus, readers cannot separate both elements precisely in every instance. Both stories are imagined worlds designed for the in narratology so called game of fiction. As can be learned in Plutarch, authors of stories like the Life of Cato or the Gospel of Mark guarantee a certain sense of responsibility in their work. Summed up, the narratological comparison has illustrated both the close affinity and the individual specifications of both narratives. It thus helps to clarify the position- fixing of the Early Christian literature within its Graeco-Roman context.
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生死故事
虽然福音书的叙事学阅读相对较好地被接受,但它们作为古代传记类型的一部分的特征在以前的时代是非常反对的。尽管由于20世纪下半叶关于这个问题的开创性专著和持续的工作,情况已经发生了变化,但一些问题仍然没有解决。因此,将福音书与古代生活的具体代表进行叙事学比较可能有助于澄清两者之间的关系。接下来,最古老的福音书与普鲁塔克的《小加图传》同时阅读。有三个观察:a)加图和耶稣的叙事结构高度吻合。两个主角在公共场合都履行一定的职责。在大多数情况下,他们取得了巨大的成功。然而,从某一点开始,他们就不可挽回地走向失败和毁灭。这种故事结构似乎构成了福音书和大约三十年后写的加图传记的基础。b)显然,这两部作品都叙述了一个人的一生,他的非凡性格,他在公众场合的非凡行为以及他非自然的暴力死亡。在普鲁塔克的版本中,小卡托最终失败了。乍一看,马可的耶稣也没能完成他的使命。然而,由于上帝的行动,他变成了信徒的救世主。这种声称的无与伦比的相关性与叙述的简洁形成鲜明对比。c)两种叙述都是由事实和虚构的元素组成的。因此,读者不可能在每个实例中都精确地将这两个元素分开。这两个故事都是为叙事学设计的想象世界,也就是所谓的小说游戏。从普鲁塔克的作品中可以看出,《加图传》或《马可福音》等故事的作者在他们的作品中保证了一定的责任感。综上所述,叙事学上的比较说明了两种叙事的密切联系和个体规范。因此,它有助于澄清早期基督教文学在希腊罗马语境中的定位。
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来源期刊
Millennium DIPr
Millennium DIPr Social Sciences-Law
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3
审稿时长
1 weeks
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