{"title":"Travelling Across the Colonial Frontier: Female Mobility and the Making of English National Identity in H. Rider Haggard’s Benita: An African Romance","authors":"E. Mutlu","doi":"10.2478/genst-2023-0006","DOIUrl":null,"url":null,"abstract":"Abstract Given his most famous account, “I can safely say that there is not a petticoat in the whole history” of his most well-known romance, King Solomon’s Mines (1885), H. Rider Haggard’s works have been mostly celebrated as significant examples of the representation of imperial masculinities in the late Victorian romance fiction. In this typical imperialist narrative, Africa provides a setting for British boys to become men (Brantlinger, 1988). This paper, however, suggests that this notion of male mobility is replaced by the portrayal of a female traveller in Haggard’s Benita: An African Romance (1906). Benita’s sea journey from Southampton to Durban also brings gender roles into question in Haggard’s long lost travel text. This article, thus, will explore Haggard’s work in the broad Victorian context of political, philosophical and racial beliefs, and investigate the role of female travellers in the construction of national identity.","PeriodicalId":30605,"journal":{"name":"Gender Studies","volume":"40 1","pages":"86 - 97"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gender Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/genst-2023-0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
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Abstract
Abstract Given his most famous account, “I can safely say that there is not a petticoat in the whole history” of his most well-known romance, King Solomon’s Mines (1885), H. Rider Haggard’s works have been mostly celebrated as significant examples of the representation of imperial masculinities in the late Victorian romance fiction. In this typical imperialist narrative, Africa provides a setting for British boys to become men (Brantlinger, 1988). This paper, however, suggests that this notion of male mobility is replaced by the portrayal of a female traveller in Haggard’s Benita: An African Romance (1906). Benita’s sea journey from Southampton to Durban also brings gender roles into question in Haggard’s long lost travel text. This article, thus, will explore Haggard’s work in the broad Victorian context of political, philosophical and racial beliefs, and investigate the role of female travellers in the construction of national identity.
期刊介绍：
Gender Studies is a journal addressing academics and a general readership at the same time and its main goal is to provide a gendered approach to literature, language and society and also to highlight attempts of educationalists and Gender Studies esperts in various parts of the world to institutionalize Gender Studies in the academe. The GS journal publishes high-quality peer-reviewed articles from various Humanities and Social Sciences areas. The GS journal is interdisciplinary—gender proving an excellent analytical category enabling a new perspective on literature, anthropology, social and political studies, cultural studies, linguistics and mass media studies. The GS journal provides state-of-the-art research in all such fields.
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