Alexander Zholkovsky: From the Life of Meaning to the Meaning of Life

A. Zholkovsky
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Abstract

anthologies of Russian Formalism, Boris Tomashevskii singled out two types of writers. Some of them only have a “life biography” that is merely of interest to the writer him or herself, while others write “in the hope that their life will be a constant canvas for their works”; the life of a “writer with a biography” is “not a curriculum vitae or an investigative case,” but “an author’s legend of his life.”1 In this case the author becomes the protagonist of his own biographical legend. The same thing can apparently be said about scholars: there are those “with a biography” and those without. Alexander Zholkovsky is an intellectual figure with biographies, both scholarly and literary, which, moreover, have in turn themselves become an object of his own study. Rather than summarizing the thirty-nine essays comprising this tribute to Zholkovsky, we shall instead attempt here to draw connections between his scholarly, literary, and personal biographies. One of our honoree’s most significant scholarly contributions was the “Meaning ↔ Text”
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亚历山大·佐尔科夫斯基:从有意义的生命到生命的意义
鲍里斯·托马舍夫斯基在《俄罗斯形式主义选集》中指出了两类作家。他们中的一些人只有一个“生平传记”,仅仅是作者自己感兴趣,而另一些人则写作“希望他们的生活将成为他们作品的永恒画布”;一个“有传记的作家”的生活“不是一份简历,也不是一个调查案件”,而是“一个作家关于自己生活的传奇”。在这种情况下,作者成为自己传记传奇的主角。同样的道理显然也适用于学者:有“有传记”的,也有没有传记的。亚历山大·佐尔科夫斯基是一位知识分子,他的传记既有学术性的,也有文学性的,而且这些传记本身也成了他自己研究的对象。与其总结这39篇向佐尔科夫斯基致敬的文章,我们不如尝试在他的学术、文学和个人传记之间建立联系。我们的获奖者最重要的学术贡献之一是"意义↔文本"
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