{"title":"Corruption in Contemporary Nigerian Poetry: A New Historicist Perspective","authors":"Onyebuchi Nwosu, Anike Adeshina","doi":"10.1080/02564718.2021.1997164","DOIUrl":null,"url":null,"abstract":"Summary Discussions on corruption in Nigeria are dominated by economists and social scientists with their scholastic discourse on the subject growing by the day that one wonders whether Nigerian creative writers, especially contemporary poets are not perturbed by the rising wave of corruption in the country. This article attempts to investigate the contributions of some Nigerian poets like Niyi Osundare, Odia Ofeimun, Idris Amali, Joe Ushie, Amanze Akpuda, Musa Idris Okpanachi, Darlington Ogbonnaya and Eddie Onuzuruike in the fight against corruption in Nigeria. Hence a new historicist approach was adopted to discuss their imaginative portrayal of corruption and its impact on the war against graft. Their artistic perspectives of corruption were identified in order to better understand the various forms of corruption as well as the historical dimensions and their suggestive mitigating effects. From the findings, it is evident that Nigerian poets have raised strong voices against corruptive tendencies by exposing the various categories of corruption in Nigeria and their destructive and debilitating effects.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"48 1","pages":"14 - 33"},"PeriodicalIF":0.2000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Literary Studies","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.1080/02564718.2021.1997164","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
Summary Discussions on corruption in Nigeria are dominated by economists and social scientists with their scholastic discourse on the subject growing by the day that one wonders whether Nigerian creative writers, especially contemporary poets are not perturbed by the rising wave of corruption in the country. This article attempts to investigate the contributions of some Nigerian poets like Niyi Osundare, Odia Ofeimun, Idris Amali, Joe Ushie, Amanze Akpuda, Musa Idris Okpanachi, Darlington Ogbonnaya and Eddie Onuzuruike in the fight against corruption in Nigeria. Hence a new historicist approach was adopted to discuss their imaginative portrayal of corruption and its impact on the war against graft. Their artistic perspectives of corruption were identified in order to better understand the various forms of corruption as well as the historical dimensions and their suggestive mitigating effects. From the findings, it is evident that Nigerian poets have raised strong voices against corruptive tendencies by exposing the various categories of corruption in Nigeria and their destructive and debilitating effects.
期刊介绍:
The Journal of Literary Studies publishes and globally disseminates original and cutting-edge research informed by Literary and Cultural Theory. The Journal is an independent quarterly publication owned and published by the South African Literary Society in partnership with Unisa Press and Taylor & Francis. It is housed and produced in the division Theory of Literature at the University of South Africa and is accredited and subsidised by the South African Department of Higher Education and Training. The aim of the journal is to publish articles and full-length review essays informed by Literary Theory in the General Literary Theory subject area and mostly covering Formalism, New Criticism, Semiotics, Structuralism, Marxism, Poststructuralism, Psychoanalysis, Gender studies, New Historicism, Ecocriticism, Animal Studies, Reception Theory, Comparative Literature, Narrative Theory, Drama Theory, Poetry Theory, and Biography and Autobiography.