{"title":"El maestro trasmerano Pedro de Morlote y la nueva cabecera de la catedral de Mondoñedo (1598-1603)","authors":"Javier Gómez Darriba","doi":"10.15304/QUI.17.5173","DOIUrl":null,"url":null,"abstract":"La catedral de Mondoñedo asistió a la mayor reforma arquitectónica de su historia entre 1598 y 1603. Entonces se demolió parte de su fábrica medieval para aumentar un tercio su tamaño gracias a la erección de una nueva cabecera, diseñada por el maestro de cantería trasmerano Pedro de Morlote. Analizaremos los motivos que llevaron a esta obra, su diseño, las fases de construcción, los modelos que se siguieron y el taller que la levantó.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quintana-Revista do Departamento de Historia da Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15304/QUI.17.5173","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1
Abstract
La catedral de Mondoñedo asistió a la mayor reforma arquitectónica de su historia entre 1598 y 1603. Entonces se demolió parte de su fábrica medieval para aumentar un tercio su tamaño gracias a la erección de una nueva cabecera, diseñada por el maestro de cantería trasmerano Pedro de Morlote. Analizaremos los motivos que llevaron a esta obra, su diseño, las fases de construcción, los modelos que se siguieron y el taller que la levantó.
mondonedo大教堂在1598年至1603年间经历了其历史上最大的建筑改革。后来，它的部分中世纪工厂被拆除，以增加三分之一的规模，这要归功于trasmeran石工大师佩德罗·德·莫雷特(Pedro de Morlote)设计的新头饰。我们将分析导致这项工作的原因，它的设计，施工阶段，遵循的模型和建造它的车间。
期刊介绍：
QUINTANA is a journal about the history of art, issued annually, which publishes original research papers about any of the specialities related to the Arts, including interdisciplinary approaches that enrich their study. The publication of research papers is structured in two sections: the first one -SUBJECT- is of a monographic character, and its content is planned beforehand by the Editorial Board, who invites well-known specialists in the chosen theme, whilst the second one -ARTICLES- is open to contributions about any theme. The papers which are presented in the ARTICLES section will be subjected to assessment using a double-blind review process with anonymity for both authors and reviewers (peer-review process). The journal will use two reviewers, members of the Scientific Committee or academic experts, to assess each article received, and will resort to a third reviewer in the case of discrepancy. The articles which are finally published will include reception and acceptance dates. The journal’s Director and the Editorial Board will have ultimate responsibility for the selection process, and will communicate the editorial decisions to the authors.
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