{"title":"The Misaligned Body: The Fourth Group and Performance Art in Authoritarian South Korea","authors":"Adela Kim","doi":"10.1086/718491","DOIUrl":null,"url":null,"abstract":"On one balmy evening in July 1970, two men appeared in Myeongdong, a bustling commercial district in Seoul, South Korea. In their button-up shirts, the men—Chung Chan S. (Chŏng Ch’an-sŭng) and Ko Ho—might have blended in with the workforce returning home for the day. Yet the pair wore placards around their necks, conspicuously drawing attention to themselves in a society that valued conformity above all. The sign upon Chung’s chest asked, “With what do you","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/718491","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
On one balmy evening in July 1970, two men appeared in Myeongdong, a bustling commercial district in Seoul, South Korea. In their button-up shirts, the men—Chung Chan S. (Chŏng Ch’an-sŭng) and Ko Ho—might have blended in with the workforce returning home for the day. Yet the pair wore placards around their necks, conspicuously drawing attention to themselves in a society that valued conformity above all. The sign upon Chung’s chest asked, “With what do you