BETWEEN REMEMBERING AND FORGETTING - PROCESSES OF CHANGING TOPICALITY OF POLISH HERITAGE IN CONTEMPORARY LITHUANIA

Anna Pilarczyk-Palaitis
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Abstract

The last century of Lithuanian history and the resulting dynamics of political and demographic change have radically transformed the role, meaning and forms of interpretation of Polish heritage in Lithuania. The purpose of the article is to observe the main directions of changes taking place within the cultural memory of Poles living in Lithuania – the largest national minority group in Lithuania. The report presents the processes of changing topicality of Polish heritage in Lithuania in three main areas of active cultural memory: history, art and religion. The first area is represented by objects related to Józef Piłsudski, the second one by the Pohulanka Theatre (now the Russian Drama Theatre) in Vilnius and objects related to Adam Mickiewicz, and the third one by objects related to the cult of Divine Mercy. The article analyses official communication of these memory objects (published by the objects’ owners or official managers) as well as memory practices and rituals carried out in these objects and described on social media and in news articles published in Lithuania in 2017–2019. Observing various types of storage media, in this case, some selected objects of cultural heritage and rituals and texts accompanying them, it is possible to notice processes of variability, exchange, erasing, redefining memory and hence the dynamics of changes in the Polish collective identity in modern Lithuania. The analysis of the formal ritualization and communication of these objects has enabled noticing several interesting trends, above all an occurrence of the phenomenon of polylogue of narratives and the process of universalization of Polish heritage in Lithuania and thus Lithuanian and Polish collective memory approaching each other. The following analysis is valuable as a starting point for reflection on the transformation of the ethnic identity of Poles in Lithuania. The article is one of the first attempts to show * Vytautas Magnus University (Vilnius, Lithuania), e-mail: anna.ewa.pilarczyk-palaitis@vdu.lt 2021, No. 1 (14), pp. 5–18 Published online March, 2021 DOI: h p://dx.doi.org/10.12775/TIS.2021.001
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在记忆与遗忘之间——当代立陶宛波兰遗产话题性的变化过程
立陶宛上个世纪的历史以及由此产生的政治和人口变化的动态从根本上改变了立陶宛对波兰遗产的解释的作用、意义和形式。本文的目的是观察生活在立陶宛的波兰人——立陶宛最大的少数民族群体——文化记忆中发生变化的主要方向。报告从历史、艺术和宗教三个主要活跃文化记忆领域介绍了立陶宛波兰遗产话题性变化的过程。第一个区域由Józef Piłsudski相关的物品代表,第二个区域由维尔纽斯的Pohulanka剧院(现在的俄罗斯戏剧剧院)和与Adam Mickiewicz有关的物品代表,第三个区域由与神圣慈悲崇拜有关的物品代表。本文分析了这些记忆对象的官方传播(由对象的所有者或官方管理者发布),以及在这些对象中进行的记忆实践和仪式,并在2017-2019年在立陶宛发表的社交媒体和新闻文章中进行了描述。观察各种类型的存储媒介,在这种情况下,一些选定的文化遗产和仪式以及伴随它们的文本,有可能注意到变化,交换,消除,重新定义记忆的过程,从而在现代立陶宛波兰集体身份的变化动态。通过对这些物品的正式仪式化和交流的分析,我们注意到了几个有趣的趋势,首先是立陶宛出现了叙述的多语现象和波兰遗产的普遍化过程,因此立陶宛和波兰的集体记忆相互接近。以下的分析对于反思立陶宛波兰人族群认同的转变具有重要的出发点。这篇文章是第一次尝试展示* Vytautas Magnus University (Vilnius, Lithuania), e-mail: anna.ewa.pilarczyk-palaitis@vdu.lt 2021, No. 1 (14), pp. 5-18于2021年3月在线发表DOI: https://dx.doi.org/10.12775/TIS.2021.001
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