Melancholic Relationship to Appearance: A Fanonian Reading of Amadu’s Novel “No Past No Present No Future”

Abera Kassaw, Melakneh Mengistu
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Abstract

This study is an exploration of the melancholic relationship to appearance reflected in Amadu Maddy’s “No Past No Present No Future”. To this end, the researcher uses textual analysis and descriptive criticism to unravel the causes and consequences of melancholic relationship to appearance. The theory of racial melancholia which is dominantly informed by Fanonian approach to the psychology of racism is used to account for the intra-psychic forces which operate within the melancholic characters in the subject novel. As the finding discloses, Amadu’s novel saw at close range that the immediate postcolonial world is dominated by two groups of people: some hermitized white souls whose mindset is stuck in more traditional forms of biological, and pseudo-scientific racism, and those black people with “black skin and white masks.”. Both exist in a borrowed time, unable to come to terms with the psychological states upon which their conscious and unconscious thoughts are hanging, have long lost wellness. The former see their articles of racial superiority as a self-evident truth; the latter plunge into a psychic process whereby the loss of belonging becomes the cause of ongoing trauma, realizing that they belong nowhere, that they must live in a world that would never give recognition to their existence.  This study is an exploration of the melancholic relationship to appearance reflected in Amadu Maddy’s “No Past No Present No Future”. To this end, the researcher uses textual analysis and descriptive criticism to unravel the causes and consequences of melancholic relationship to appearance. The theory of racial melancholia which is dominantly informed by Fanonian approach to the psychology of racism is used to account for the intra-psychic forces which operate within the melancholic characters in the subject novel. As the finding discloses, Amadu’s novel saw at close range that the immediate postcolonial world is dominated by two groups of people: some hermitized white souls whose mindset is stuck in more traditional forms of biological, and pseudo-scientific racism, and those black people with “black skin and white masks.”. Both exist in a borrowed time, unable to come to terms with the psychological states upon which their conscious and unconscious thoughts are hanging, have long lost wellness. The former see their articles of racial superiority as a self-evident truth; the latter plunge into a psychic process whereby the loss of belonging becomes the cause of ongoing trauma, realizing that they belong nowhere, that they must live in a world that would never give recognition to their existence.     Received: 03 October 2022 / Accepted: 30 December 2022 / Published: 5 January 2023
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忧郁与表象的关系:阿玛杜小说《没有过去、没有现在、没有未来》的狂热解读
本研究旨在探讨Amadu Maddy的《没有过去,没有现在,没有未来》中所反映的忧郁与外表的关系。为此,研究者采用文本分析和描述性批评的方法来揭示忧郁与外表关系的原因和后果。种族忧郁症理论主要由法诺的种族主义心理学理论所指导,用来解释在主题小说中忧郁的人物身上运作的内在精神力量。正如这一发现所揭示的那样,Amadu的小说近距离地看到,后殖民时代的世界由两类人主导:一类是心态停留在更传统的生物和伪科学种族主义形式中的与世隔绝的白人灵魂,另一类是那些“黑皮肤、白面具”的黑人。两者都存在于一个借来的时间,无法与他们有意识和无意识的思想所悬挂的心理状态达成协议,长期失去健康。前者认为他们的种族优越论是不言自明的真理;后者陷入一种心理过程,在这种心理过程中,归属感的丧失成为持续创伤的原因,他们意识到自己不属于任何地方,他们必须生活在一个永远不会承认他们存在的世界里。本研究旨在探讨Amadu Maddy的《没有过去,没有现在,没有未来》中所反映的忧郁与外表的关系。为此,研究者采用文本分析和描述性批评的方法来揭示忧郁与外表关系的原因和后果。种族忧郁症理论主要由法诺的种族主义心理学理论所指导,用来解释在主题小说中忧郁的人物身上运作的内在精神力量。正如这一发现所揭示的那样,Amadu的小说近距离地看到,后殖民时代的世界由两类人主导:一类是心态停留在更传统的生物和伪科学种族主义形式中的与世隔绝的白人灵魂,另一类是那些“黑皮肤、白面具”的黑人。两者都存在于一个借来的时间,无法与他们有意识和无意识的思想所悬挂的心理状态达成协议,长期失去健康。前者认为他们的种族优越论是不言自明的真理;后者陷入一种心理过程,在这种心理过程中,归属感的丧失成为持续创伤的原因,他们意识到自己不属于任何地方,他们必须生活在一个永远不会承认他们存在的世界里。收稿日期:2022年10月03日/收稿日期:2022年12月30日/发布日期:2023年1月5日
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