The disparity between culture & technics

IF 0.7 0 HUMANITIES, MULTIDISCIPLINARY Culture Theory and Critique Pub Date : 2019-10-02 DOI:10.1080/14735784.2019.1689626
Conor Heaney
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引用次数: 1

Abstract

ABSTRACT This essay serves as an introduction to the Special Issue entitled ‘Culture & Technics: The Politics of Simondon’s Du Mode’. This issue follows the pivotal and important translation of Gilbert Simodon's supplementary dissertation, On the Mode of Existence of Technical Objects, which offers a rich and layered approach to technics which, through his other works, we see integrated into an entire philosophical approach. This Issue seeks to consider how we might read Simondon today in what is a completely transformed technical epoch from his own, faced with new technological and global challenges. After briefly introducing, first, some comments on Simondon’s account of the process of disparation, this essay will make some observations on how Simondon conceptualised the relation between culture and technics. It is the space between these two latter notions – and the potential for their systematic, open, and processual integration – in which this introduction contextualises this Special Issue.
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文化与技术的差异
本文是《文化与技术:西蒙东的《模式》的政治》特刊的导论。这个问题遵循吉尔伯特·西莫顿的补充论文的关键和重要的翻译,关于技术对象的存在模式,它提供了一个丰富和分层的技术方法,通过他的其他作品,我们看到整合到一个完整的哲学方法。这个问题试图考虑我们今天如何阅读西蒙顿,在一个完全改变了他自己的技术时代,面对新的技术和全球挑战。在简要介绍西蒙东对差异过程的描述之后,本文将对西蒙东如何概念化文化与技术之间的关系进行一些观察。这是后两种概念之间的空间-以及它们系统,开放和过程整合的潜力-这是本特刊的背景介绍。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Culture Theory and Critique
Culture Theory and Critique HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.20
自引率
25.00%
发文量
6
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