On pause, an essay on the inverse logics of quarantine and Black asphyxia

IF 1.1 2区 文学 Q3 COMMUNICATION Critical Studies in Media Communication Pub Date : 2022-03-19 DOI:10.1080/15295036.2022.2049617
A. Dial
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引用次数: 0

Abstract

ABSTRACT Trump had COVID-19. The world held its breath. We, in very real terms, were on pause. Trump's reality, the reality of millions of Americans and people around the world, was one of quarantine, an existence put on pause. Here, I would like to consider the polyphony of meanings and performances foregrounding our varied understandings of the pause. Trump's pause and our own excavate a stacking of dual existences: one where we are either waiting to die or get sick and another where we are waiting to get better or return to normal. COVID-19 represents an original moment where the reality of incessant dying is remarkable, and the questions asked within critical Black studies regarding the ontological conditions of humanity and the existential necessity of Black death for the flourishing of white life are laid bare. Through its interrogation of the pause, this work treats pausing as a technical, corporeal, material, and racialized assemblage of realities. Though pausing is a technopolitical formation that is immediately apprehended through gaming and game culture, we must push beyond the computational fact of pressing pause to further an imaginary centering the ordinariness of Black death as being in suspension with the extraordinariness of COVID death.
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暂停,一篇关于隔离和黑窒息的反向逻辑的文章
特朗普得了COVID-19。全世界都屏住了呼吸。实际上,我们处于停顿状态。特朗普的现实,以及数百万美国人和世界各地人民的现实,是一种隔离,一种暂停的存在。在这里,我想考虑一下我们对停顿的不同理解的意义和表现的复调。特朗普的停顿和我们自己的停顿挖掘了双重存在的堆叠:一种是我们在等待死亡或生病,另一种是我们在等待好转或恢复正常。COVID-19代表了一个原始的时刻,在这个时刻,不断死亡的现实是引人注目的,批判性黑人研究中提出的关于人类本体论条件和黑死病对白人生活繁荣的存在必要性的问题被暴露出来。通过对暂停的质疑,这件作品将暂停视为一种技术的、肉体的、物质的、种族化的现实组合。虽然暂停是一种通过游戏和游戏文化立即被理解的技术政治形态,但我们必须超越按下暂停的计算事实,进一步以黑死病的平凡为中心的想象,因为COVID死亡的非凡而暂停。
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来源期刊
CiteScore
2.10
自引率
0.00%
发文量
34
期刊介绍: Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.
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