{"title":"Patriagonia, de Ivonne Coñuecar. Revuelta geopoética de cuerpo/territorio","authors":"K. Oyarzún","doi":"10.7764/68.20","DOIUrl":null,"url":null,"abstract":"This reading of Patriagonia (2014), a collection of poems written by the Huichille-Chilean poet, Ivonne Conuecar, delves into the aesthetics of three of her texts gathered in this edition: Catabatica (2011), Adiabatica (2009) and Anabatica (unpublished until 2014) from a feminist and queer, intersectional and decolonial perspective. We explore the weavings of non-binary relationships of identity, territory and nation-state, as a series of geodesic and erotic, geopoetic and political revolts. The poetic speaker accounts for sparks and disruptive memory shifts, amidst multiple assemblages of power that encompass the body, the heteropatriarchal family and the capital centrality of the neoliberal state.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":"1 1","pages":"349-366"},"PeriodicalIF":0.3000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/68.20","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 1
Abstract
This reading of Patriagonia (2014), a collection of poems written by the Huichille-Chilean poet, Ivonne Conuecar, delves into the aesthetics of three of her texts gathered in this edition: Catabatica (2011), Adiabatica (2009) and Anabatica (unpublished until 2014) from a feminist and queer, intersectional and decolonial perspective. We explore the weavings of non-binary relationships of identity, territory and nation-state, as a series of geodesic and erotic, geopoetic and political revolts. The poetic speaker accounts for sparks and disruptive memory shifts, amidst multiple assemblages of power that encompass the body, the heteropatriarchal family and the capital centrality of the neoliberal state.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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